Riff que combina power chords y notas sueltas
Lesson time: (2min 7sec)
Course preview
This lesson is part of the course Método de Guitarra: Country & Metal
Watch a preview of the full course below.
Lesson transcript:
Combining Power Chords with Single Note Lines
In this section, we're combining power chords with single note lines.
Power Chord E5
- The first chord we're using is the E5 power chord, which we've seen before.
- Remember that although we're playing the second fret, we need to use our first finger, sliding everything up a fret.
Tips for Playing E5
- Sound: Focus on generating the right sound.
- Strumming: Play just the top two strings for this E5 chord.
- Use a circular motion; don't drag through all the strings.
- Strumming Power: Keep your strumming soft.
- All the power and distortion is coming from the amp.
Moving to Bar 2
- In bar 2, there is an "NC" above the bar, which means no chord.
- This indicates that the notes written are what we will play without chord accompaniment.
Notes in Bar 2
- Quarter Notes:
- A G on the E string
- An F sharp on the E string (from fret 3 to fret 2)
- Shift your fingers accordingly:
- Use your middle finger on fret 3
- Use your first finger on fret 2
Technique: Rolling the Finger
- Combine the technique of rolling your finger as discussed in previous sections.
- When you reach F sharp, roll your finger down to prepare for the chord.
Moving from Bar 2 to Bar 3
- After the rest, transition down to the next chord.
- The rest allows us two beats to move that finger down:
- Power Chord Sequence:
- Count: 2, 1, 2
- Use middle finger, first finger, rest, and roll down.
- Power Chord Sequence:
Transition to Bar 4
- In bar 4, roll your first finger back up to the F sharp and go to an E.
- The rhythm is straightforward; we've tackled much harder challenges than this.
Conclusion
- Take a moment to look over this section, then we'll try to play it together.
About the instructor
Tommy Webb es un guitarrista afincado en Londres que completó una licenciatura con honores (BA Hons) en guitarra en la Academy of Contemporary Music de Guildford, estudiando con Sandy Beales (One Direction, Wheatus) y Nicolas Meier (Jeff Beck). Su propia forma de tocar se mueve con libertad entre el rock, el pop, el indie, el hip-hop, el country y el metal, exactamente el terreno que cubren sus métodos de guitarra. Tommy ha trabajado con una amplia variedad de artistas y bandas por todo el país, entre ellos Jarki Monno e Indira May, compartiendo escenarios y sesiones con guitarristas como Paul Murray (Jess Glynne, Zak Abel) y Adam Chetwood (Paolo Nutini, Mark Ronson), y con baterías como Alex Woodward (Black Honey), Luke Robinson y “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Sobre el escenario, ha actuado en el Jazz Cafe como telonero de la cantante de soul Jocelyn Brown, además de en salas y festivales como Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival y Sundown Festival. En disco y radio, Tommy ha grabado sesiones en directo para BBC Three Counties Introducing, Vibe FM y Pulse 88, con temas emitidos en BBC Radio 1 y Radio 2. Ha grabado en estudios como South Lanes Brighton, Hempstead Road y Titan Studios con productores como Steph Carter (Gallows, Lyoness) y TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). En sus métodos de guitarra, Tommy te transmite todo ese saber de músico en activo, enseñándote las técnicas, los tonos y el feeling que hay detrás de los estilos reales, del rock y el pop al indie, el hip-hop, el country y el metal, para que puedas tocar la música que de verdad te gusta. read more