Lead Boots Takte 13-16
Lesson time: (3min 7sec)
Tommy Webb unterrichtet die Takte 13-16 des Metal-Tracks 'Lead Boots', kombiniert Power-Chords, Einzelnoten und das Fis, mit dynamischem Anschlag, um deinen Ton zu formen.
Course preview
This lesson is part of the course Gitarren-Methode: Country & Metal
Watch a preview of the full course below.
Lesson transcript:
Metal Section Lesson: Lead Boots
We've made it to the end of the metal section. Today, we're looking at a part from the song Lead Boots, which we're going to learn eventually in this course.
Overview of Techniques
This section combines:
- Power chords
- Single notes
It specifically uses the F sharp, which we've identified at the second fret on the E string.
Power Chords
Taking a look, we have two types of power chords here:
- E5
- A5
Again, we're going to use our rolling finger to get down to that A5 chord. After that, we'll play:
- G with our middle finger
- F with our first finger
- Open E string to finish.
Adding Expression
When this phrase becomes a bit more comfortable, try hitting the strings slightly harder to give it more rock expression.
- This will cause it to hit the amp with more intensity, meaning you'll get a bit more distortion.
Demonstrating Different Dynamics
I'll just show you a few ways to change the sound of the amp without adjusting any settings on our guitars:
-
Soft Strumming: Here's me hitting the strings really softly. You can still hear lots of power coming through with plenty of distortion.
-
Increased Force: But when I strum harder, you'll hear it becomes much more compressed and rounded sounding, with an increase in distortion and gain.
Remember, this doesn't mean pelting the strings as hard as possible, but using firm, controlled power. We're still maintaining good technique while digging in a little more.
Using the Volume Pedal
As I was going through that example, I was using my volume pedal to add or reduce some distortion. We can do this by:
- Pushing our foot down to increase distortion.
- Taking our foot off to decrease it.
If you don't have a volume pedal at home, that's totally okay! You can achieve this using your hands as well.
Hand Technique
- Start off really soft.
- Gradually get firmer.
- Then back off again.
Cleaning Up Your Tone
Another trick for cleaning up your guitar's tone is using the volume knob.
- With my pedal all the way up, you can hear it's really distorted.
- Now, I'll roll back the volume knob about halfway, and you'll hear the tone become slightly cleaner.
- If I go back even more, it gets even cleaner.
Notice the amount of gain is changing, but not significantly the volume. This is great if you don't have any pedals at home and want to switch between single notes and big chords.
Practical Application
This technique is often used in rock music, especially during solos, when transitioning from playing chords.
I'll give you an example of that:
- You can hear how the guitar cleans up without needing pedals or changing your amp settings.
It's worth trying out at home to see if you can get different sounds from the gear you have!
About the instructor

Tommy Webb ist ein in London ansässiger Gitarrist, der einen BA(Hons)-Abschluss in Gitarre an der Academy of Contemporary Music in Guildford absolvierte, wo er bei Sandy Beales (One Direction, Wheatus) und Nicolas Meier (Jeff Beck) studierte. Sein eigenes Spiel bewegt sich frei zwischen Rock, Pop, Indie, Hip-Hop, Country und Metal – genau dem Terrain, das seine Gitarrenmethoden abdecken. Tommy hat landesweit mit einer großen Bandbreite an Künstlern und Bands gearbeitet, darunter Jarki Monno und Indira May, und teilte sich Bühnen und Sessions mit den Gitarristen Paul Murray (Jess Glynne, Zak Abel) und Adam Chetwood (Paolo Nutini, Mark Ronson) sowie den Schlagzeugern Alex Woodward (Black Honey), Luke Robinson und “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Auf der Bühne trat er im Jazz Cafe als Vorband der Soulsängerin Jocelyn Brown auf, dazu in Clubs und auf Festivals wie Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival und Sundown Festival. Auf Platte und im Radio hat Tommy Live-Sessions für BBC Three Counties Introducing, Vibe FM und Pulse 88 eingespielt, mit Tracks, die auf BBC Radio 1 und Radio 2 liefen. Aufgenommen hat er in Studios wie South Lanes Brighton, Hempstead Road und Titan Studios mit Produzenten wie Steph Carter (Gallows, Lyoness) und TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). In seinen Gitarrenmethoden gibt Tommy all dieses Wissen eines aktiven Musikers an dich weiter – er lehrt die Techniken, Sounds und das Feeling hinter echten Stilen, von Rock und Pop über Indie, Hip-Hop und Country bis Metal –, damit du die Musik spielen kannst, die du wirklich liebst. read more




