Melody using half note rests

With
Tommy WebbTommy Webb shows you how half note rests create space in a melody, working through a country-style example over a faster backing track.
What's in the course
30 lessons (0h 55m) · 1 free
01. Melody using G note
3:33

02. Melody using G note (performance)
0:57

03. Melody using dotted half note
2:14

04. Melody using dotted half note (performance)
0:53

05. Melody using A note
3:59

06. Melody using A note (performance)
0:53

07. Road To Nashville bars 5-8
2:49

08. Road To Nashville bars 5-8 (performance)
1:04

01. Riff using F# note
3:47

02. Riff using F# note (performance)
0:47

03. Riff using a key signature
2:00

04. Riff using a key signature (performance)
0:51

05. Riff combining power chords and single notes
2:07

06. Riff combining power chords and single notes (performance)
0:49

07. Lead Boots bars 13-16
3:07

08. Lead Boots bars 13-16 (performance)
0:56
Lesson transcript
Music Lesson: Half Note Rests
Introduction to Half Note Rests Example 2: We're using half note rests. These are the same as half notes in terms of their length, but rather than playing a note, we're being silent.
Backing Track This backing track is a little bit faster, so if you need to work on this one a bit more just to get it under your fingers, that's totally fine.
First Notes
- Looking at the first notes, we've got C, which we know now is the third fret on the A string.
- We're playing that twice as quarter notes followed by the rest.
Understanding Half Note Rests
- We know it's a half note rest because, as we said earlier, in learning to read the whole, it falls down; the half looks like a little hat above the line.
- If it was a whole note rest, there would be no room for any other notes.
Key Point
- If it's a whole note rest, it's going to take up the whole bar.
- Since we've got two notes before it, it can't be a whole note.
Playing Instructions
- We're playing the third fret on the A string: C twice.
Counting 1, 2, 3, 4.
- Silent for the second half of the bar.
Bar Two
- It's the same in bar two, except we're playing E, the octave up.
- This is our second fret on the D string, and we're holding this for two notes.
Repetition
Let's try that again:
1, 2, 3, 4.
1, 2, 1, 2.
- On for half the bar, off for half the bar.
Bar Three This is a bit tricky going into bar three, as we start with a half note rest, meaning in total, we've got four beats of silence.
Importance of Counting
- This is why it's so important to count and to start every bar with a one.
- Otherwise, it gets a little bit tricky.
Next Notes
- Starting the next one, we're counting one, two, and as we count three, we're going to play our new notes, E on the D string (second fret) to the open D, finishing off with that C lasting for two beats, a half note.
Playing Together
So I'll play you bars three and four:
1, 2, 3, 4.
1, 2, 3, 4.
Slow Practice Let's try it really slowly together, counting out loud:
- Count: One, two, three, four.
- One, two, three, four.
- 1, 2, 3, 4, 4.
- One, 2, 3, 4.
- 1, 2, 3, 4.
Reminder Again reminding us why it's so important to count in our heads or out loud.
Wrap Up Let's give it a go with the backing track. If you need some extra time, definitely slow it down and build up to the speed of the backing track as it is quite fast.
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Meet your guru

Meet your guru
Tommy Webb is a London-based guitarist who completed a BA(Hons) Degree in guitar at the Academy of Contemporary Music in Guildford, studying under Sandy Beales (One Direction, Wheatus) and Nicolas Meier (Jeff Beck). His own playing moves freely across rock, pop, indie, hip-hop, country and metal - the exact ground his guitar methods cover.
Tommy has worked with a wide range of artists and bands across the country, including Jarki Monno and Indira May, sharing stages and sessions with guitarists Paul Murray (Jess Glynne, Zak Abel) and Adam Chetwood (Paolo Nutini, Mark Ronson), and drummers Alex Woodward (Black Honey), Luke Robinson and “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah).
On stage, he has performed at the Jazz Cafe opening for soul singer Jocelyn Brown, plus venues and festivals including Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival and Sundown Festival.
On record and radio, Tommy has played live sessions for BBC Three Counties Introducing, Vibe FM and Pulse 88, with tracks featured on BBC Radio 1 and Radio 2. He has recorded at studios including South Lanes Brighton, Hempstead Road and Titan Studios with producers such as Steph Carter (Gallows, Lyoness) and TMS / Froe Barnes (Lewis Capaldi, Dua Lipa).
In his guitar methods, Tommy passes all of that working-musician know-how on to you - teaching the techniques, tones and feel behind real styles, from rock and pop to indie, hip-hop, country and metal, so you can play the music you actually love.


























