Melody using E note

With
Tommy WebbTommy Webb introduces the E note an octave up - what an octave is, mixed note values, and short melodies to practise pitch and rhythm.
What's in the course
30 lessons (0h 55m) · 1 free
01. Melody using G note
3:33

02. Melody using G note (performance)
0:57

03. Melody using dotted half note
2:14

04. Melody using dotted half note (performance)
0:53

05. Melody using A note
3:59

06. Melody using A note (performance)
0:53

07. Road To Nashville bars 5-8
2:49

08. Road To Nashville bars 5-8 (performance)
1:04

01. Riff using F# note
3:47

02. Riff using F# note (performance)
0:47

03. Riff using a key signature
2:00

04. Riff using a key signature (performance)
0:51

05. Riff combining power chords and single notes
2:07

06. Riff combining power chords and single notes (performance)
0:49

07. Lead Boots bars 13-16
3:07

08. Lead Boots bars 13-16 (performance)
0:56
Lesson transcript
Understanding Octaves and Note Values
Looking at example one, we've got E an octave up. First, we need to find out what an octave is.
What is an Octave?
An octave, meaning eight, is a note eight notes apart in a scale from itself.
- For example, if we play G, I'll play the G major scale (which is something we'll discuss later in your guitar playing).
- You can count: 1, 2, 3, 4, 5, 6, 7, 8.
- That eighth note is going to be the same as the first note.
You can hear that these notes are both the same pitch; just one is lower and the other is higher.
Easy Examples
Another easy example of this would be on our guitar, from when we learned the names of the strings.
- You might have noticed that we have a low E string and a high E string.
- I'd like you to play those two together. You should hear they're the same note but in different ranges.
You can hear they're both the same pitch; just one is low and one is high. Conversely, you can tell that the following notes are definitely not the same note:
- Low E (different pitch)
So, we're discussing the same note in different registers.
Mixing Up Note Values
Starting in example one, we're really mixing up our note values here.
- We've got:
- Quarter notes
- Quarter note rests
- Half notes
- Whole notes
Breakdown of Each Bar
-
In Bar 1:
- We've got C, the third fret on the A string.
- We'll play that as a quarter note twice, followed by a quarter note rest, and then the open D string.
So, count: 1, 2, 3.
-
In Bar 2:
- We've got two quarter notes and a half note.
- Here we're moving on to our new note, which we said was E.
- This is the second fret on the D string.
Let's test it out:
- Play that note and the low E string‚ test if they are the same pitch.
- You can hear they're pretty much the same note, just one is lower than the other.
Combining Bars
Let's combine those first two bars.
- In Bar 3:
- We've got the open D string.
- An A beat rest on beat two, followed by E (our octave now on the second fret) and an open D again.
- We finish off with our whole note on C, which we know is the third fret on the A string.
Practice Tips
If I play you through that whole line, we'll go really, really slowly.
- Just make sure we're hitting that E (the second fret on the D string).
- Feel free to take it slower at home.
Just make sure you're tapping your foot or using a metronome and trying to stay in time with yourself.
Let's give it a go.
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Meet your guru

Meet your guru
Tommy Webb is a London-based guitarist who completed a BA(Hons) Degree in guitar at the Academy of Contemporary Music in Guildford, studying under Sandy Beales (One Direction, Wheatus) and Nicolas Meier (Jeff Beck). His own playing moves freely across rock, pop, indie, hip-hop, country and metal - the exact ground his guitar methods cover.
Tommy has worked with a wide range of artists and bands across the country, including Jarki Monno and Indira May, sharing stages and sessions with guitarists Paul Murray (Jess Glynne, Zak Abel) and Adam Chetwood (Paolo Nutini, Mark Ronson), and drummers Alex Woodward (Black Honey), Luke Robinson and “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah).
On stage, he has performed at the Jazz Cafe opening for soul singer Jocelyn Brown, plus venues and festivals including Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival and Sundown Festival.
On record and radio, Tommy has played live sessions for BBC Three Counties Introducing, Vibe FM and Pulse 88, with tracks featured on BBC Radio 1 and Radio 2. He has recorded at studios including South Lanes Brighton, Hempstead Road and Titan Studios with producers such as Steph Carter (Gallows, Lyoness) and TMS / Froe Barnes (Lewis Capaldi, Dua Lipa).
In his guitar methods, Tommy passes all of that working-musician know-how on to you - teaching the techniques, tones and feel behind real styles, from rock and pop to indie, hip-hop, country and metal, so you can play the music you actually love.


























