Lesson 2 of 50GuitarBeginner

Melody using B&C notes

3:45

Tommy Webb teaches the B and C notes on the B string and introduces alternate picking for smoother, faster indie melodies.

Part of the courseGuitar Method: Indie & Hip-Hop50 lessons (1h 52m)

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What's in the course

50 lessons (1h 52m) · 1 free
    • 01. Intro to the Indie guitar sound

      Free lesson

      2:09

    • 02. Melody using B&C notes

      You are here

      3:45

    • 03. Melody using B&C notes (performance)

      0:55

    • 04. Melody using alternate picking

      2:36

    • 05. Melody using alternate picking (performance)

      0:55

    • 06. Melody using alternate picking & D note

      2:47

    • 07. Melody using alternate picking & D note (performance)

      0:51

Lesson transcript

Indie Style Music Lesson

At this point in the course, we're really comfortable with reading notation and tab. We're looking for those new notes we've not played yet, starting with this line.

New Notes

  • First Fret on the B String: This gives us the octave of C as well as the open B string.
  • We've played this before when we learned the names of the strings:
    • Eddie Ate Donuts
    • Good Boy Eddies

The fifth string, or the second from the floor, is our B string.

We can test the C octave by playing:

  • First Fret on the B String (C)
  • Third Fret on the A String (C)

These are the two Cs we now know. You can hear they are the same note, just in different ranges.

Half Notes

Starting off, we have our half notes to play.

  • First fret with our first finger on the B string: This gives us C
  • Followed by open B.

Counting:

  • 1, 2, 3, 4.

Alternate Picking

Moving on, we're picking up some speed.

What we're going to try and do is use alternate picking to play this:

  • First fret on the B string to open B (C to B).
  • Then, second fret on the G string to open G.

Since the notes are moving quickly, we will use alternate picking.

Technique

  • Alternate picking involves going down and up with the pick.
  • Key: Small movements.
    • You don't want the pick to come too far away from the guitar.

To practice, take just the open high E string and play:

  • Down and up, up, down, up, down, up.

Pause here and try that for a few minutes, getting comfortable with that motion of down and up.

Wrist Movement

It's all about the wrist. We're not trying to move our thumb or our whole arm; it's all in the wrist. Alternate picking allows us to play twice the speed we normally would, letting us play a lot faster phrases.

When using alternate picking, we need to rest our arm somewhere so we're not floating and being inaccurate.

You can use:

  • Pinky and ring finger to rest on the pick guard if needed.
  • Or, as we did with our power chords before, rest our hand behind the saddles on the bridge.

You can even combine both to achieve a really solid movement.

Bar Three

Moving on to bar three, we're back to the concept we looked at‚ pop.

  • Quarter Note On, Quarter Note Off:
    • Second fret on the G string (A)
    • Quarter note rest
    • Open B string
    • Quarter note rest
    • Dotted half note on C (first fret of the B string, our new note), lasting for three beats.

I'll take you through that section with particular focus on bar two, where we're using alternate picking:

  • Down on one
  • Up on the open B
  • Down on the second fret on the G
  • Up on the G

Practice

Here we go, nice and slow:

1, 2, 3, 4.
2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 4.

There's a lot of detail in that one line with alternate picking, the rests, and our new notes and fingerings.

Take some time to get comfortable with this, build up slowly, and I'll see you with the backing track in a second!

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Meet your guru

Tommy Webb

Tommy Webb

Tommy Webb is a London-based guitarist who completed a BA(Hons) Degree in guitar at the Academy of Contemporary Music in Guildford, studying under Sandy Beales (One Direction, Wheatus) and Nicolas Meier (Jeff Beck). His own playing moves freely across rock, pop, indie, hip-hop, country and metal - the exact ground his guitar methods cover.

Tommy has worked with a wide range of artists and bands across the country, including Jarki Monno and Indira May, sharing stages and sessions with guitarists Paul Murray (Jess Glynne, Zak Abel) and Adam Chetwood (Paolo Nutini, Mark Ronson), and drummers Alex Woodward (Black Honey), Luke Robinson and “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah).

On stage, he has performed at the Jazz Cafe opening for soul singer Jocelyn Brown, plus venues and festivals including Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival and Sundown Festival.

On record and radio, Tommy has played live sessions for BBC Three Counties Introducing, Vibe FM and Pulse 88, with tracks featured on BBC Radio 1 and Radio 2. He has recorded at studios including South Lanes Brighton, Hempstead Road and Titan Studios with producers such as Steph Carter (Gallows, Lyoness) and TMS / Froe Barnes (Lewis Capaldi, Dua Lipa).

In his guitar methods, Tommy passes all of that working-musician know-how on to you - teaching the techniques, tones and feel behind real styles, from rock and pop to indie, hip-hop, country and metal, so you can play the music you actually love.

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