Lesson 14 of 30GuitarBeginner

Road To Nashville bars 5-8

2:49
Experience the rhythmical challenges of country guitar with a section of Rockschool's "Road to Nashville." Tommy helps you count rests and stay on beat for this rewarding exercise.
Part of the courseGuitar Method: Country & Metal30 lessons (0h 55m)

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What's in the course

30 lessons (0h 55m) · 1 free
    • 01. Melody using G note

      3:33

    • 02. Melody using G note (performance)

      0:57

    • 03. Melody using dotted half note

      2:14

    • 04. Melody using dotted half note (performance)

      0:53

    • 05. Melody using A note

      3:59

    • 06. Melody using A note (performance)

      0:53

    • 07. Road To Nashville bars 5-8

      You are here

      2:49

    • 08. Road To Nashville bars 5-8 (performance)

      1:04

Lesson transcript

Road To Nashville - Rhythm Exercise

We've come to the end of the country section. As always, at the end of each section, we're going to learn a small part of a piece we've got coming up in the course. This comes from the song "Road To Nashville."

Overview

It's a real test of our rhythmic reading, and we're going to have to count some bars out before we play.

Bar Breakdown

  • Bar 1:

    • Nice and easy, we've got quarter notes
    • Count: 1, 2, 3, 4
  • Bar 2:

    • Quarter notes again, except we're missing out on beat two (a rest).
    • Count: 1, 2, 3, 4
  • Bar 3:

    • It gets a little tricky.
    • We play a half note to start with a rest (that's a quarter note long) and finish on beat four with a quarter note.
    • Count carefully: 1, 2, 3 (silence), 4

    This would sound like: 1, 2, 3, 4

Final Note

  • Finishing off, we've got the C note playing a dotted half note.
  • This will last for three beats, and we have a quarter note rest at the end.

Cautions: You could be lazy and think, "Oh, I can just play that for a whole note." But if the music finishes and we're still ringing out, it sounds quite messy.

  • Watch out for that last beat (beat four), where we want to kill the note.

It's going to sound like this: 1, 2, 3 (silence)

Note Patterns

  • No new notes here; we're using the A on the G string.

  • Starting off:

    • Play E on the D string, go to the open G, then A (the second fret on the G string).
  • Bar 2:

    • Open G, a rest, another open G, finishing with second fret on the D string (E).
  • Bar 3:

    • Open D string (both pitches). As mentioned before, watch out for the rhythms: 1, 2, 3, 4.
  • Finishing with a C lasting for three beats (dotted half note).

Remember, we want complete silence on beat four!

Playing Together

Let's play this together at a slower tempo and then try it with the track:

Count in:
1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3.

Practice Tips

  • Slow it down even more if needed.
  • Give it a few goes before you drive the track.
  • Make sure you're tapping your foot, counting along, and trying to get those rhythms as accurate as possible.

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Meet your guru

Tommy Webb

Tommy Webb

Tommy Webb is a London-based guitarist who completed a BA(Hons) Degree in guitar at the Academy of Contemporary Music in Guildford, studying under Sandy Beales (One Direction, Wheatus) and Nicolas Meier (Jeff Beck). His own playing moves freely across rock, pop, indie, hip-hop, country and metal - the exact ground his guitar methods cover.

Tommy has worked with a wide range of artists and bands across the country, including Jarki Monno and Indira May, sharing stages and sessions with guitarists Paul Murray (Jess Glynne, Zak Abel) and Adam Chetwood (Paolo Nutini, Mark Ronson), and drummers Alex Woodward (Black Honey), Luke Robinson and “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah).

On stage, he has performed at the Jazz Cafe opening for soul singer Jocelyn Brown, plus venues and festivals including Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival and Sundown Festival.

On record and radio, Tommy has played live sessions for BBC Three Counties Introducing, Vibe FM and Pulse 88, with tracks featured on BBC Radio 1 and Radio 2. He has recorded at studios including South Lanes Brighton, Hempstead Road and Titan Studios with producers such as Steph Carter (Gallows, Lyoness) and TMS / Froe Barnes (Lewis Capaldi, Dua Lipa).

In his guitar methods, Tommy passes all of that working-musician know-how on to you - teaching the techniques, tones and feel behind real styles, from rock and pop to indie, hip-hop, country and metal, so you can play the music you actually love.

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