Melody using G note

With
Tommy WebbTommy Webb teaches a country melody using the open G note an octave up, mixing half and quarter notes with dotted notes and rests.
What's in the course
30 lessons (0h 55m) · 1 free
01. Melody using G note
You are here3:33

02. Melody using G note (performance)
0:57

03. Melody using dotted half note
2:14

04. Melody using dotted half note (performance)
0:53

05. Melody using A note
3:59

06. Melody using A note (performance)
0:53

07. Road To Nashville bars 5-8
2:49

08. Road To Nashville bars 5-8 (performance)
1:04

01. Riff using F# note
3:47

02. Riff using F# note (performance)
0:47

03. Riff using a key signature
2:00

04. Riff using a key signature (performance)
0:51

05. Riff combining power chords and single notes
2:07

06. Riff combining power chords and single notes (performance)
0:49

07. Lead Boots bars 13-16
3:07

08. Lead Boots bars 13-16 (performance)
0:56
Lesson transcript
Country Part 2 Music Lesson
We've made it to Country Part 2. Here we're going to learn how to:
- Play a G and an A note an octave up
- Understand what dotted notes are
- Play three-beat rests
Introduction
Let's get started!
Example One
In Example One, we see the new note G again, just like D. We've played this before. It's going to be our open G string.
Mnemonic:
Eddie ate donuts. Good boy, Eddie.
It's going to be the good string.
Notes to Remember:
- Eddie
- A
- Donuts
That's the fourth one from the top. We're mixing again half notes and quarter notes, as well as some half note rests and quarter note rests. So, we're kind of using everything we've learned so far and putting it into one section here.
This is a section to really take slowly and work out, especially focusing on the rhythms.
Bar Breakdown
-
First Bar:
- Half note followed by two quarter notes.
- Notes: C, D, E going to F.
-
Second Bar:
- This lasts for two beats.
- Practice Tip: Like you to work on those four notes, blending them together.
- Count: 1, 2, 3, 4.
Tip: Trying to get those transitions as smooth as possible. This might take a few minutes, so feel free to pause and give this a go for a second.
Importance of Technique
This is a great example of why it's so useful to use the one finger per fret method. We're playing so quickly, as opposed to me trying to play like that, all messed up, or especially using just one finger.
This doesn't help us in any way. While we may play the notes, when it comes to more challenging things at speed, we won't be able to play efficiently.
There's no way you can play at that speed with one finger. So, that's why we're establishing those good habits: One finger per fret.
Continuing with Bars Three and Four
Moving on to Bars Three and Four, we start with the G string. This is our new note.
- Open G: This lasts for two beats, followed by another pluck of the string as a quarter note (1, 2, 3).
- Going to an F, which we said was the third fret on the D string.
Final Bar:
- Mixing some things we looked at in pop, which includes a quarter note followed by a quarter note rest.
- Here we're playing an E with a quarter note rest on beat two and finishing on a C with a quarter note rest on four.
Sounding It Out
Those last two bars would sound like this:
Listen closely to the last bar, especially those silences on beats two and four.
Practice Together
So, let's try it together from start to finish at a really steady pace, getting all those rhythms in as well as the new G string:
1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 3, 4.
That last bar does feel quite odd. So, listen back to this video.
Reminder: Make sure you're counting the rhythms accurately. It's quite easy to think, I played that wrong, but it's not. It's just about getting those rhythms in there, ensuring we have the rests nice and quiet on beats two and four.
Let's Give It a Go!
Now, let's give it a go with the backing track!
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Meet your guru

Meet your guru
Tommy Webb is a London-based guitarist who completed a BA(Hons) Degree in guitar at the Academy of Contemporary Music in Guildford, studying under Sandy Beales (One Direction, Wheatus) and Nicolas Meier (Jeff Beck). His own playing moves freely across rock, pop, indie, hip-hop, country and metal - the exact ground his guitar methods cover.
Tommy has worked with a wide range of artists and bands across the country, including Jarki Monno and Indira May, sharing stages and sessions with guitarists Paul Murray (Jess Glynne, Zak Abel) and Adam Chetwood (Paolo Nutini, Mark Ronson), and drummers Alex Woodward (Black Honey), Luke Robinson and “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah).
On stage, he has performed at the Jazz Cafe opening for soul singer Jocelyn Brown, plus venues and festivals including Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival and Sundown Festival.
On record and radio, Tommy has played live sessions for BBC Three Counties Introducing, Vibe FM and Pulse 88, with tracks featured on BBC Radio 1 and Radio 2. He has recorded at studios including South Lanes Brighton, Hempstead Road and Titan Studios with producers such as Steph Carter (Gallows, Lyoness) and TMS / Froe Barnes (Lewis Capaldi, Dua Lipa).
In his guitar methods, Tommy passes all of that working-musician know-how on to you - teaching the techniques, tones and feel behind real styles, from rock and pop to indie, hip-hop, country and metal, so you can play the music you actually love.


























