Lesson 12 of 30GuitarBeginner

Melody using A note

3:59

James introduces piano improvisation - simply playing something that isn't written down - and explains why it's a skill worth building alongside your graded pieces.

Part of the courseGuitar Method: Country & Metal30 lessons (0h 55m)

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What's in the course

30 lessons (0h 55m) · 1 free
    • 01. Melody using G note

      3:33

    • 02. Melody using G note (performance)

      0:57

    • 03. Melody using dotted half note

      2:14

    • 04. Melody using dotted half note (performance)

      0:53

    • 05. Melody using A note

      You are here

      3:59

    • 06. Melody using A note (performance)

      0:53

    • 07. Road To Nashville bars 5-8

      2:49

    • 08. Road To Nashville bars 5-8 (performance)

      1:04

Lesson transcript

Music Lesson: Introduction to the Note A and String Skipping

New Note: A

  • We have a brand new note: A
  • This is located at the second fret on the G string.

Comparing Octaves

  • As with the E, we can compare the two octaves.
  • Play the A string and the second fret on the G string.
  • You should hear they are the same pitch, just in different ranges:
    • One is lower.
    • One is higher.
    • Both are A's.

Rests in Bar Four

  • In bar four, we see three beats worth of rest:
    • A quarter note rest on beat two.
    • A half note rest on beats three and four.
  • We will finish on beat one, and the rest of the bar will be silent.

Dotted Half Notes

  • At the start, we have dotted half notes as well, which is C for three beats.
  • This transitions to an E, which is the second fret on the D string.

Finger Positioning

  • Set your fingers up to play both notes:
    • Pluck the different strings to get the different notes.
    • For example, when playing C, your finger is already on fret 2 on the D string.
  • This setup saves time and creates a smoother sound between notes.

Ring Finger Technique

  • When you play the D string, slightly lift the ring finger on the A string:
    • This ensures the note finishes.
  • Avoid producing a chord where both notes are ringing out.
  • By lifting the finger, you release the pressure, making it smoother.

Timing

  • Count and play:
    • 1, 2, 3, 4.

Bar Two Exercise

  • In bar two, we revisit pop quarter notes with a quarter note rest:
    • F (third fret), rest on beat two, then F again, moving to G.
  • The G will lead us into our new note A in bar three.

String Skipping

  • Watch out for string skipping:
    • Previously, we played strings next to each other (E to A, A to D).
    • Now, we're jumping from the G string to the A string.
  • I'll show an example to practice this shortly.

Slow Practice

  • Let's try the four bars at a really slow tempo:

    • One, two, three, four.
  • Repeat:

    • 1, 2, 3, 4.
  • Note those three beats of rest at the end.

String Skipping Exercise

  • To help with string skipping:

    • Play the E string followed by the A string.
    • Go back to the E string and then jump to the D string.
  • Each time:

    • Return to the E string.
    • Move to the next strings: A, G, B, and finish on the high E.
  • Finally, do this in reverse.

Benefits

  • This exercise will help you get used to the different distances between strings.
  • Gain awareness of missed strings and where to place your pick around the bridge.

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Tommy Webb

Tommy Webb

Tommy Webb is a London-based guitarist who completed a BA(Hons) Degree in guitar at the Academy of Contemporary Music in Guildford, studying under Sandy Beales (One Direction, Wheatus) and Nicolas Meier (Jeff Beck). His own playing moves freely across rock, pop, indie, hip-hop, country and metal - the exact ground his guitar methods cover.

Tommy has worked with a wide range of artists and bands across the country, including Jarki Monno and Indira May, sharing stages and sessions with guitarists Paul Murray (Jess Glynne, Zak Abel) and Adam Chetwood (Paolo Nutini, Mark Ronson), and drummers Alex Woodward (Black Honey), Luke Robinson and “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah).

On stage, he has performed at the Jazz Cafe opening for soul singer Jocelyn Brown, plus venues and festivals including Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival and Sundown Festival.

On record and radio, Tommy has played live sessions for BBC Three Counties Introducing, Vibe FM and Pulse 88, with tracks featured on BBC Radio 1 and Radio 2. He has recorded at studios including South Lanes Brighton, Hempstead Road and Titan Studios with producers such as Steph Carter (Gallows, Lyoness) and TMS / Froe Barnes (Lewis Capaldi, Dua Lipa).

In his guitar methods, Tommy passes all of that working-musician know-how on to you - teaching the techniques, tones and feel behind real styles, from rock and pop to indie, hip-hop, country and metal, so you can play the music you actually love.

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