Lesson 19 of 28DrumsBeginner

I Want To Break Free – Queen (Analysis)

3:18

Pete Riley analyses the drum part to Queen's I Want To Break Free, focusing on keeping your eighth notes even and holding your place through the verse.

Part of the courseRockschool Drums Grade 128 lessons (1h 51m)

This lesson is part of the full course. 2 lessons are free to watch.

from$13/month

Explore the course
Cancel anytime30-day refund

What's in the course

28 lessons (1h 51m) · 2 free
    • 01. Soul Man – Sam And Dave (Analysis)

      4:55

    • 02. Billie Jean – Michael Jackson (Analysis)

      13:28

    • 03. In The Midnight Hour – Wilson Pickett (Analysis)

      8:40

    • 04. Yeah – Usher (Analysis)

      10:26

    • 05. I Want To Break Free – Queen (Analysis)

      You are here

      3:18

    • 06. Liberation – Wretch 32 (Analysis)

      7:45

    • 07. Kaiser Roll (Analysis)

      8:56

    • 08. Bend & Snap (Analysis)

      7:25

    • 09. Jangle Road (Analysis)

      5:12

    • 10. West Coast Rollin' (Analysis)

      Free lesson

      3:53

    • 11. Deep Trouble (Analysis)

      7:38

    • 12. Munky Fusic (Analysis)

      2:45

Lesson transcript

Music Lesson: I Want to Break Free by Queen

Here we're looking at I Want to Break Free by Queen. We have an essential groove throughout the piece:

  • Hi-Hat: Eighth notes
  • Snare: Beats 2 and 4
  • Bass Drum:
    • Beat 1
    • The and of beat 2
    • Beat 3

Key Focus: Evenness of Eighth Notes

One of the vital qualities we're aiming for in that pattern is even spacing of the eighth notes. It's crucial for these to be as even as possible to ensure the groove sits well within the track.

Here's the basic pattern that runs throughout, along with the evenness of the eighth notes.

Retaining Your Place

The next challenge within the piece is retaining your place. We have a 12-bar verse section followed by a guitar solo, where we're essentially playing the same part.

To help keep your place, try counting the bars as you play:

1, 2, 3, 4,
2, 2, 3, 4,
3, 2, 3, 4,
etc.

As I mentioned, that first section is 12 bars long, ending on the downbeat of the 12th bar. I'll play the last four bars of that first verse.

Transition to the Guitar Solo

From the point where we've stopped on the downbeat of the bar:

  • The drums are out for the next three beats of that bar.
  • We then re-enter for the guitar solo.

Notice: There is not a crash cymbal on the beginning of this bar, so we go straight back into the same groove we had during the verse.

We then play that same pattern for the next eight bars.

Ending of the Piece

When we reach the last four bars of the piece, we will play a crash cymbal on the downbeat.

I am going to take it from Bar 19, two bars before we hit that crash cymbal to the end of the piece.

Practice Tip: Crash Cymbal Transition

When playing a crash cymbal within a groove, it can be quite challenging to move away from the hi-hat to the crash cymbal.

It's worth practicing this by trying to crash on the downbeat of every bar while moving away from the eighth notes on the hi-hat.

Conclusion

Those are all the parts you need to play the track. Have fun playing along!

$13/monthSubscription

28 lessons

1h 51m of structured video lessons

Advanced video features

Slow down, loop a passage, follow along

Mobile, tablet & desktop

Practise wherever you are

100% satisfaction guarantee

30-day money-back guarantee

Pat Levett
Joe Glossop
Frank Doll
Katie Melua
Ed O'Brien
Imogen Heap
Adam Mishan
Chet Atkins

Learn from world-class musicians and hundreds of others

Unlimited access, money back guaranteed

$13/month

Subscription