Distortion plugins

With
Aamir YaqubWhat's in the course
16 lessons (1h 33m) · 1 free
01. Welcome to audio Effects
Free lesson0:46

02. Audio Effects
3:00

03. Using the Multi Effects - Phat FX and Step FX
5:11

04. Setting up Reverb Bus with a Send
3:58

05. Using Reverbs in Logic Pro
3:27

06. Using Delays in Logic Pro
8:02

07. Distortion plugins
You are here6:35

08. Filter plugins
5:35

09. Distortion and Filters outro
0:30

10. Modulation plugins
12:54

11. Pitch plugins
6:50

12. Modulation and Pitch outro
1:03

13. Amps and Pedal effects
10:38

14. Specialised effects
5:49

15. EQs (Equalizers)
7:18

16. Dynamics and Compression
11:43
Lesson transcript
Exploring Distortion Plugins
One of the categories you might want to explore in the audio effects is the distortion plugins. Distortion plugins can:
- Add warmth
- Add grit
- Add edge to your sounds
Bit Crusher
The first one we're going to look at is the bit crusher. This effect works by degrading the signal to a point reminiscent of old Nintendo machines, which produced 8-bit and 16-bit sounds. Reducing the resolution tends to give you that extra bit of edge and crunch to a sound.
Without effect:
I've got a bass line here that sounds like this.
With effect:
If I turn this on now, that may or may not be the sound that you're looking for.
You can use something like a 16-bit downshift to hear how that sound has a buzz.
Tip: Be sure to mess around with the drive settings and the resolution settings.
Clip Distortion
Next up in the distortion category, we have clip distortion. Clip distortion essentially gives you the sound you would get if you clipped a signal, meaning if you overloaded it.
- You can make this effect very subtle or quite pronounced.
Let's pick a default option, such as Clean Boost.
Important Note:
Do be careful when using these plugins, especially the distortion ones, as they can be significantly louder than the source material. Always try to keep your speakers down, or if you're using headphones, ensure they are at a lower volume.
Sound:
Let's hear what this sounds like.
You can hear it gives a darker, warmer sound with a little bit of edge.
Distortion and Distortion II
Next, we have the distortion plugins called Distortion and Distortion II.
- Distortion: This effect breaks up the signal for added edge. You can adjust:
- Tone
- Drive
- Level compensation
Sound Comparison:
Without this effect now with.
As you can hear, the level increases, so be mindful of your audio settings.
- Distortion II: This is a different model of distortion based on the sound of an organ. It's ideal for adding a gritty texture to organ sounds.
Example:
I'm going to go for growl, distortion, light.
Let's see what happens when we listen to that.
You can tweak the tone and input, and experiment with different styles such as:
- Bitey
- Nasty
- Class AB1 Soft
- Class AB1 Hard
Overdrive
Next, we have overdrive. Overdrive is a sound synonymous with guitars, commonly found in guitar pedals and amps.
Sound Check:
If we were to boost this with a bright tube, what would this sound like?
We can also darken the sound by bringing the tone down.
Phase Distortion
Finally, in the distortion category, we have phase distortion. This plugin introduces both distortion and phase, giving your sound a distorted feeling with a touch of psychedelia.
Example Setting:
A good setting to work with is warm phase.
You can hear it sounds distorted but has a weird, spatial effect as well. Increasing the cutoff and resonance can further enhance this effect.
Conclusion
These distortion plugins are fantastic for adding edge, grit, or warmth to your sounds. Experiment with each to find the right fit for your audio projects!
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Meet your guru

Meet your guru
Aamir Yaqub is a music producer and engineer based in London. He has worked with some of the biggest names in music, including Alicia Keys, David Guetta, Rihanna, Sia and will.i.am, as well as developing independent artists.
Across his courses he teaches his complete Logic Pro workflow - from the interface and recording through beat-making, synthesis and MIDI effects to mixing and finishing a track.












