Saxophone: New Keys & Low Notes
CourseSaxophoneContemporaryIntermediatePart 1 of 3
Part ofSaxophone

Saxophone: New Keys & Low Notes

5.0· 3 reviews

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Duration1h 3m
Modules27
LevelIntermediate
LanguageEnglish

Lesson Plan (1h 3m)

About this course

James Rae is one of the UK's most prolific saxophone educators, with a graded method used by Trinity College London. This course is part of his beginner sequence - full bio on James's artist page.

This is Chapter 1 of Introducing the Saxophone Pt 2, the intermediate volume, picking up where the first volume left off. You'll add the F# major scale and a new G major scale, work down into the low register with new notes E, D and C, learn the chromatic notes C# and D, add G# for a new key, and meet compound time signatures with the note D#.

By the end you'll have a working low register, the chromatic vocabulary to play in any key, and a feel for compound time rhythms.

Who it's for

  • Saxophonists who completed Introducing the Saxophone Pt 1
  • Self-taught players building a full two-octave range
  • Returning players adding compound-time pieces to their repertoire

What you'll learn

  • Access the low register down to low C confidently
  • Play F# major and G major scales with new fingerings
  • Read and play compound-time rhythms

What you'll need

  • An alto saxophone in working order with reeds
  • A music stand and somewhere you can play
  • A few minutes most days, regularity over long sessions

Explore the series · Introducing the Saxophone · Pt 2

Based on Introducing the Saxophone by Trinity College London

  1. Saxophone: New Keys & Low Notes
    01
    Saxophone: New Keys & Low Notes
    You are here
  2. Saxophone: Extended Range & Rhythm
    02
    Saxophone: Extended Range & Rhythm
  3. Saxophone: Polish & Style
    03
    Saxophone: Polish & Style

Student reviews

5.0· 3 reviews

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TC

I liked everything about this. A particular bonus was the accompanying backing tracks. Starting with just one note, by the end of the course the whole range has been covered. The exercises are nice to play, with witty titles that help to explain the mood of each piece.

Verified purchase
S

Sue Stead

Excellent step-by-step guide. I couldn’t even read music until I got this course!

Verified purchase
D

D Gearie

This course is just what I needed, by using it in conjunction with the backing tracks it works very well - perfect!

Verified purchase

Meet the Guru

James Rae

James Rae

James Rae was born on Tyneside in 1957. He studied clarinet, bass clarinet, piano and composition at the Guildhall School of Music and Drama from 1975 to 1979, under professors Yona Ettlinger, Stephen Trier, Meriel Jefferson and Patric Standford respectively. Since leaving the Guildhall, he has pursued a highly successful and varied career across three areas: performing, writing and teaching.

James Rae has worked in many West End and Royal National Theatre productions, including Sir Peter Hall's award-winning Oresteia with music by Sir Harrison Birtwistle, and has received many freelance engagements with some of the country's leading orchestras and ensembles. He is the leader of the Phoenix Saxophone Quartet, who over the years have given many recitals and BBC broadcasts, and have recorded the complete works of Carey Blyton on two albums, 'The Return of Bulgy Gogo' and 'Sherlock Holmes meets Dr Who'.

As a composer, James Rae is one of Europe's most published writers of educational wind music, with over 250 publications to his credit, mainly published by Universal Edition. His music includes instrumental study books, sonatas, tutors, baroque, classical and jazz transcriptions, plus many volumes of duets, many of which feature on all the major wind examination syllabuses worldwide. He has also written four musicals for schools with Mike Cornick, and his larger commissions include The Turn of a Wheel, a major work for concert band that premiered in November 1999 for the North Tyneside Concert Band, of which he was a founder member as a boy, and the overture Moving On in 2012.

James Rae has worked extensively as a syllabus consultant and composer for both the Associated Board and Trinity College London, and has been highly involved in developing the woodwind sight-reading requirements for both exam boards. As a teacher, he has held many posts in both the state and independent sectors, and currently works at King's College School Wimbledon, where he directs the Wind Orchestra and Concert Band, and Shrewsbury House School in Surbiton, where he coaches three large bands and a chamber group. That teaching experience runs right through his saxophone series for MusicGurus, which takes you step by step from your very first notes to a confident, stylish player: First Notes, New Keys & Low Notes, Expanding Your Range, Scales & High Notes, Extended Range & Rhythm, and Polish & Style.

Published with

Universal Edition

Universal Edition has been writing music history since its foundation in 1901.

Its composers have decisively shaped the great musical trends of the 20th and 21st centuries and its catalogue includes concert and stage works, teaching and instrumental literature, book series and the Wiener Urtext Edition. 

Universal Edition

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