Lesson 11 of 27SaxophoneIntermediate

Blue Wave - Lesson

1:065.0 · 3 course ratings

James Rae teaches the breath control behind "Blue Wave" on the saxophone - using plenty of air and firm finger coverage to play low notes cleanly.

Copyright © 2023 Universal Edition (London) Ltd., All compositions by James Rae except where otherwise indicated.

Part of the courseSaxophone: New Keys & Low Notes27 lessons (1h 3m)

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What's in the course

27 lessons (1h 3m) · 1 free
    • 01. Low E, D and C - Fingering and Exercises

      8:03

    • 02. Now What? - Lesson

      0:46

    • 03. Now What? - Performance

      0:37

    • 04. Blue Wave - Lesson

      You are here

      1:06

    • 05. Blue Wave - Performance

      0:44

Lesson transcript

Blue Wave Technique in Saxophone Playing

  • Breath Control:

    • Apply the principle of the "blue wave".
    • Lots of air is essential.
  • Visualize:

    • Imagine you're blowing out candles on a birthday cake while playing a good C.
  • Practice Tips:

    • Repeated Cs:
      • Practice lots of repeated Cs for security and consistency.
  • Saxophone Mechanics:

    • When playing low on the saxophone, ensure:
      • Your fingers are firm and covering the holes.
      • Avoid leaks, as they can lead to problems.
  • Common Issues:

    • Leaks:
      • Can cause squeaks if your fingers are too light.

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James Rae

James Rae

James Rae was born on Tyneside in 1957. He studied clarinet, bass clarinet, piano and composition at the Guildhall School of Music and Drama from 1975 to 1979, under professors Yona Ettlinger, Stephen Trier, Meriel Jefferson and Patric Standford respectively. Since leaving the Guildhall, he has pursued a highly successful and varied career across three areas: performing, writing and teaching.

James Rae has worked in many West End and Royal National Theatre productions, including Sir Peter Hall's award-winning Oresteia with music by Sir Harrison Birtwistle, and has received many freelance engagements with some of the country's leading orchestras and ensembles. He is the leader of the Phoenix Saxophone Quartet, who over the years have given many recitals and BBC broadcasts, and have recorded the complete works of Carey Blyton on two albums, 'The Return of Bulgy Gogo' and 'Sherlock Holmes meets Dr Who'.

As a composer, James Rae is one of Europe's most published writers of educational wind music, with over 250 publications to his credit, mainly published by Universal Edition. His music includes instrumental study books, sonatas, tutors, baroque, classical and jazz transcriptions, plus many volumes of duets, many of which feature on all the major wind examination syllabuses worldwide. He has also written four musicals for schools with Mike Cornick, and his larger commissions include The Turn of a Wheel, a major work for concert band that premiered in November 1999 for the North Tyneside Concert Band, of which he was a founder member as a boy, and the overture Moving On in 2012.

James Rae has worked extensively as a syllabus consultant and composer for both the Associated Board and Trinity College London, and has been highly involved in developing the woodwind sight-reading requirements for both exam boards. As a teacher, he has held many posts in both the state and independent sectors, and currently works at King's College School Wimbledon, where he directs the Wind Orchestra and Concert Band, and Shrewsbury House School in Surbiton, where he coaches three large bands and a chamber group. That teaching experience runs right through his saxophone series for MusicGurus, which takes you step by step from your very first notes to a confident, stylish player: First Notes, New Keys & Low Notes, Expanding Your Range, Scales & High Notes, Extended Range & Rhythm, and Polish & Style.

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