Lesson 4 of 10HarmonicaIntermediate

3 valved bending exercises

4:45

PT Gazell walks through valved bending exercises that work the seven draw bend, valve draw bend and six blow bend, aiming for clean, relaxed bends.

Part of the courseHow to Achieve Valved Bends and Integrate Them into Songs10 lessons (0h 50m)

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What's in the course

10 lessons (0h 50m) · 1 free
    • 01. How to focus and refine our bending technique

      5:35

    • 02. Getting our heads around valved bends

      Free lesson

      4:59

    • 03. Another half-valved bending exercise

      5:09

    • 04. 3 valved bending exercises

      You are here

      4:45

    • 05. Using both valved and non-valved bends to explore the entire instrument

      3:54

    • 06. Using a valve blow bend inside a melody (My Romance)

      6:05

    • 07. Utilizing the extra emotion that the Gazell method provides

      6:59

    • 08. 5th position minor as an alternative to 3rd position minor

      5:07

    • 09. Learn the head of the song “Sugar” in 5th position minor

      3:40

    • 10. Learning a solo for “Sugar” and how to play the full song

      4:11

Lesson transcript

Valved Bending Exercises

Alright, I'd like to play another valved bending exercise that I want you guys to practice. This one starts on the seven draw bend and ends up using the seven draw bend, valve draw bend, and the six blow bend.

Exercise Overview

  • Starting Note: Seven valve draw bend
  • Ending Note: Sixth valved blow bend

Listen to what I play.

I'll play it again. The important thing here is to get good clean bends again.

  • Don't force it.
  • Stay relaxed.
  • Use the increments of your mouth and that focused stream that we talked about to be able to execute the seven draw bend and the six blow bend.

Key Points

  • Remember: the valve bends happen more towards the front of the mouth, similar to our conventional blow bending at the top of the harmonica, but even up one more notch is probably a good way to think about that.

I'll play this exercise one more time, and you can check that, of course, on your PDF and practice it on your own as well.


Second Valved Bending Exercise

Okay, here's the second valved bending exercise. This is another good little routine for you to start to get the feel for how to:

  • Move around
  • Connect the valved bends as half steps into the riffs that you already know

This one employs:

  • Six blow bend
  • Five blow bend
  • Seven draw bend
  • Eight draw bend

Listen to me play it. I'm going to play it slower. Follow along on the PDF so you can see how I'm playing the notes.

  • Remember, the ones in red are the valved bends.

Third Valved Bending Exercise

Great. And finally, here's the third valved bending exercise. This one's not only designed to get you used to playing some of the valved bends, both blow and draw, but it's also designed for you to utilize:

  • A conventional blow bend at the top
  • A valved blow bend at the bottom

It covers running from the top of the harmonica all the way to the bottom. It's a great exercise.

Let me play it for you at speed and then we'll slow it down and I'll play it again. Follow your tab.

  • Remember: the red indicates that it's a valved bend that I'm doing.

I'm going to play it slow now, so we're starting on nine blows.

One more time slowly. Listen for that number two valved blow bend at the bottom. The valve bend was the second last note.

I'll play it one more time.

Practice that one hard. Because you're not only using valve bends and conventional bends, but you're going from the top of the harmonica all the way to the bottom.

It's a great exercise that really gets you familiar with where all the notes are on the harmonica.

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Meet your guru

PT Gazell

PT Gazell

PT Gazell has earned his position as a master of the diatonic harmonica. After years as the sought-after side man and session player for some of Nashville's greatest, PT discovered half-valving and his music literally soared to new heights.

No other player combines his phrasing, melodic style, song choices and improvisational abilities the way he does - in the end, it is a style all his own. Using his own signature instrument, the Gazell Method diatonic manufactured by Seydel, PT proves that the harmonica is capable of far more than most of us believe.

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In his courses, PT teaches half-valving straight from the source - so you can get started with the Gazell Method, master valved bends, and bring them into your own songs.

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