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Lesson time: (5min 9sec)
PT Gazell gives you another valved-bend exercise, working draw bends from hole 1 up to hole 10 so conventional and valved bends start to feel the same.
This lesson is part of the course How to Achieve Valved Bends and Integrate Them into Songs
Watch a preview of the full course below.
Lesson transcript:
Okay, guys,
Now that we've talked about how the holes 8 and 9 are mirrored down to holes 5 and 6, and how we can use those same notes on hole 2, I want to give you a valved bending exercise.
This exercise is not very complicated, but it requires that you think about how you're bending notes all the way up and down the harmonica. Some of it will be valved bends, but some of it won't. It all ties into how the pattern changes after hole 6 on the harmonica.
Let's start with our draw bends first, beginning on hole 1 and going all the way up through hole 6.
The idea here is to get used to making your mouth work, doing valved bends and conventional bends in the same fashion. This way, you won't have to stop and think about it when you know you're coming to a valved bend.
Listen to how I perform my valved and non-valved bends.
Let's do that again, starting on hole 1.
Here come the valved draw bends.
What's important about what you're hearing is that I've practiced my valved bending to the extent that there's really no sonic difference between my dual reed bends happening on holes 1 through 6 and my single reed bends occurring on holes 7 through 10.
Listen one more time: Here's the single reed valved bends on the draw notes 7 through 10.
Now flip that over and we'll do them on the blow bends.
Follow along on the PDF:
Those are valved bends.
Now, we're going to play non-valve bends on holes 7 through 10.
Let's repeat:
That's a great exercise to do! Try it for a couple of minutes a day.
This practice will help you understand what it's like to be in a position without thinking about it much. This way, you can quickly start to articulate runs.
In summary, that's me playing not only regular notes but also valved bends. It's a mixed bag of regular notes, conventional bending, and valve bending. All of this comes from the repetitive motion and the practice of doing valved and unvalved bends consecutively.

PT Gazell has earned his position as a master of the diatonic harmonica. After years as the sought-after side man and session player for some of Nashville's greatest, PT discovered half-valving and his music literally soared to new heights. No other player combines his phrasing, melodic style, song choices and improvisational abilities the way he does - in the end, it is a style all his own. Using his own signature instrument, the Gazell Method diatonic manufactured by Seydel, PT proves that the harmonica is capable of far more than most of us believe. Dig it! In his courses, PT teaches half-valving straight from the source - so you can get started with the Gazell Method, master valved bends, and bring them into your own songs. read more