Lesson 7 of 8ConductingIntermediate

A Musical Conversation and Pareto's Law

The 80/20 rule. Listen to yourself playing for 20%, listen to the rest of the ensemble for 80%

Part of the courseGrowing Chamber Groups and Small Ensembles8 lessons (0h 25m)

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Annabel ThwaiteYour guruAnnabel Thwaite

What's in the course

8 lessons (0h 25m) · 1 free
    • 01. Introduction to Annabel and developing a pre-formed chamber group

      Free lesson

      1:45

    • 02. The complete sound (the invisible group member)

      3:28

    • 03. Body language

      3:44

    • 04. The importance of breath

      3:28

    • 05. Follow my leader! A fun game

      4:00

    • 06. Studying the score

      4:05

    • 07. A Musical Conversation and Pareto's Law

      You are here

      2:44

    • 08. Beyond the rehearsal room

      2:14

Lesson transcript

Pareto's Law in Music

We're coming to the kind of final stages of having fun with our chamber group here.

Understanding Pareto's Law

Pareto's Law is about the 80/20 principle:

  • If you listen to yourself 20% and listen to the others 80%, you'll gain the maximum benefit.
  • You'll be playing at 100% for your part while supporting the other parts.

This principle applies constantly to chamber music.

Techniques for Improvement

I'm not going to make them practice this now, but one really effective technique for every player is to:

  • Photocopy the score and play their part while singing another member's piece of music.

Creating Musical Conversations

Another question-and-answer technique that I'd like to use creates a bit of fizz amongst the ensemble and adds a touch of humor. It allows them to have a musical conversation while also engaging in a speaking conversation.

  • Here, we're going to go from that place, from 2 before B.
  • I'll allow Nikki to ask Isabella and Emily a question.
  • It's up to her whether she wants to choose who to speak to first but she's just going to have a go.

If you want to use both hands or one hand, that's fine.

Observations

  • Great! Lovely. You can already see a little bit of smiling communication, a bit of ensemble work, and maybe some secretive, intricate conversations that I'm not aware of.
  • The group is becoming more independent, moving away from the coach, and working together more, negotiating personalities and having a bit of an inside joke.

Also, I don't know if you noticed the subtlety: when Nikki started talking, it was almost as if she handed her phrase over to Isabella or Emily. She worked her question into a musical idea, approaching it with the backbone of the music to form the foundation.

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Meet your guru

Annabel Thwaite

Annabel Thwaite

Recognised as one of Britain's most versatile and charismatic pianists, Annabel Thwaite enjoys a diverse career as a soloist, chamber musician, recording artist, educator and examiner, and has won all the major accompanying prizes, including the prestigious Kathleen Ferrier, Gold Medal, and Richard Tauber Piano Prizes. She has collaborated with renowned artists such as Roberto Alagna, Bryn Terfel, David Kempster and "Only Men Aloud!"

Annabel has recorded for Universal records with the "Scottish Tenor", whose album was nominated for a Classical Brit Award and is regularly played on Classic FM. Twice the accompanist for the Festival of Welsh Male choirs, her performances at the Royal Albert Hall were recorded by Sain and have been aired on S4C. She is also a film session pianist, having recorded at Abbey Road the music for the film "Awake", the BBC Jane Austen series "Emma", "The Secret Diaries of Miss Anne Lister" and, most recently, she has appeared on both Blue Peter and "The Rob Brydon Show".

"...no doubt helped by the obviously brilliant piano accompaniments from Annabel Thwaite...highly enjoyable."

In her MusicGurus courses - Learn Christmas Classics on Piano, Learn Classical Favourites on Piano, and Growing Chamber Groups and Small Ensembles - Annabel shares the musicianship behind that versatile career. You will learn how to bring well-loved Christmas and classical pieces to life at the piano, develop your touch and phrasing, and, drawing on her award-winning experience as an accompanist, discover how to listen, lead and play together when making music with other musicians in chamber groups and small ensembles.

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