Intervals and fingering

Tim Richards
Tim Richards

Lesson time: (3min 4sec)

How major triads are built from the first, third and fifth of the scale, and how to play them comfortably in a five-finger position.

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This lesson is part of the course Exploring Jazz Piano: Major Triads
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Lesson transcript:

Understanding the C Major Triad

All right, so we're going to start with the most basic of all chords: the C major triad.

The Basics of Triads

A triad consists of three notes. To find triads in other keys, you need to understand how they're formed.

  • Formation: You're using the first, third, and fifth notes of the major scale.
  • On the piano, this corresponds with the first, second, third, fourth, and fifth fingers:
    • Thumb is one.
    • Little finger is five.

This position is called a five-finger position.

Advantages of the Five-Finger Position

Having all those notes under your fingers allows you to play the chord in the left hand, specifically on the first and third beats.

Intervals in the Triad

Let's have a look at the intervals involved in the triad:

  • C to E: This is called a major third, which consists of four semitones starting on C:
    • 1, 2, 3, 4.

Thus, two tones or four semitones form a major triad.

Exploring E to G

At the top of the chord, we've got:

  • E to G: This is only three semitones, because there's nothing in between E and F.
    • E to F is a semitone.
    • F to G is a tone.

So, we have one and a half tones or three semitones.

Finding the F Major Triad

Now, let's move that to F and apply it.

  • We need to find the first five notes of the scale, and you need to be aware that B flat is in there.
  • It would be beneficial to sing that as well to hear the sound of the first five notes of the scale:

La la la la la.

Recognizing Intervals

You also need to be able to find the notes without trial and error. Remember:

  • Between the third and fourth notes, we have a semitone.
  • Everything else is a tone apart:
    • F to G
    • G to A
    • A to B flat (there's your semitone)
    • B flat to C (another tone)

Structure of the Triad

The structure of the triad can be summarized as:

  • Root, 3, 5
  • Again: two tones and a tone and a half.

Ear Training Exercise

One exercise you might like to try, which is good for ear training, is to:

  1. Play any note; for instance, sing it as "la."
  2. Then see if you can sing the first five notes of the scale, starting on that note:

La la la la la.

  1. Alternatively, sing the notes of the triad:

La la la (root, 3, 5).

If you do this little exercise once a day on a different note, you'll quickly learn how to:

  • Sing a major triad
  • Recognize the sound of a major triad
  • Learn all the shapes!

About the instructor

Tim Richards
Tim Richards

Critically acclaimed jazz pianist and composer Tim Richards is one of Britain’s most experienced jazz educators, teaching piano privately for over 30 years, as well as at Morley College, Goldsmiths College, the University of Surrey, Premises Studios and other venues in the UK and abroad. He has produced numerous titles for Schott Music, including the best-selling two-volume Exploring Jazz Piano, Blues, Boogie & Gospel Collection and the acclaimed Improvising Blues Piano. He is also co-author, with John Crawford, of Exploring Latin Piano and Brazilian Piano Collection.More recently Schott have published Jazz, Latin & Modern Collection (15 pieces for solo piano), comprising Tim Richards originals alongside pieces by Duke Ellington and Thelonious Monk, and the two volume set Beginning Jazz Piano (now a two-part MusicGurus course).“The real joy of Tim’s music… is that it is both hugely educational but also such great fun to play. Anyone with the slightest interest in learning to play or teach jazz piano should really acquire a set of Tim’s books.” PianoDaoAs a performer Tim has been a presence on the UK jazz scene since the 1980s, also playing the blues with UK and US legends such as Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker and Mojo Buford. He has released over a dozen albums as a leader (featuring many of London’s best jazz musicians including Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce and many others), and toured all over Europe with line-ups ranging from duo to nine-piece. His latest recording, the album ‘Telegraph Hill’ by the six-piece Hextet, was described in The Observer as "A true joy from beginning to end". More info can be found on his website www.timrichards.ndo.co.uk read more

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