Pedal point

With
Tim RichardsTim Richards teaches 'Blue Dolphins', a tune built on a pedal point - an unchanging E flat bass line while the chords move above it.
What's in the course
31 lessons (1h 43m) · 1 freeLesson transcript
Blue Dolphins - Lesson Overview
The next tune, Blue Dolphins, was inspired by a section of a well-known standard called On Green Dolphin Street from the 1947 film of the same name starring Lana Turner.
Unchanging Bass Line
This piece was unusual for its time. It was kind of ahead of its time because it featured an unchanging bass line while the chords changed above it. The chords involved are:
- E flat
- G flat
- F
All of this is played over an E flat bass line. This concept is referred to as a pedal point, which is characterized by having an unchanging bass note or pedal note.
Bass Line Rhythm
Here's the bass line rhythm as it appears in my arrangement:
- It repeats the same chord over and over, with the same bass line repeated as well.
To demonstrate:
3, 4.
If you miss out those two notes at the end, you'll just get this:
2, 3, 4.
2, 3, 4.
1, 2, 3, 4.
Important Note on Timing
- The E flat at the top is on the fourth beat.
- It's crucial that you don't lose where the 1 is, particularly because you're not playing anything on the 1 in the second bar.
Hence, I was counting:
1, 2 and 3, 4.
1, 2, 3, 4.
1, 2 and 3, 4.
1, 2, 3, 4.
This emphasis on the fourth beat is a new element we've encountered, although it shares similarities with the Coincidence Calypso bass line.
Chords and Inversions
The first bar of the rhythm is exactly the same as the calypso bass line, so it shouldn't feel completely unfamiliar to you. However, when we overlay the chords, it will take on a completely new character.
All chords used will be second inversions, which descend in semitones from G flat until we reach E flat back at the starting point.
Let's dive into the musical aspect and explore these transformations!
31 lessons
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Meet your guru

Meet your guru
Critically acclaimed jazz pianist and composer Tim Richards is one of Britain’s most experienced jazz educators, teaching piano privately for over 30 years, as well as at Morley College, Goldsmiths College, the University of Surrey, Premises Studios and other venues in the UK and abroad. He has produced numerous titles for Schott Music, including the best-selling two-volume Exploring Jazz Piano, Blues, Boogie & Gospel Collection and the acclaimed Improvising Blues Piano. He is also co-author, with John Crawford, of Exploring Latin Piano and Brazilian Piano Collection.
More recently Schott have published Jazz, Latin & Modern Collection (15 pieces for solo piano), comprising Tim Richards originals alongside pieces by Duke Ellington and Thelonious Monk, and the two volume set Beginning Jazz Piano (now a two-part MusicGurus course).
“The real joy of Tim’s music… is that it is both hugely educational but also such great fun to play. Anyone with the slightest interest in learning to play or teach jazz piano should really acquire a set of Tim’s books.” PianoDao
As a performer Tim has been a presence on the UK jazz scene since the 1980s, also playing the blues with UK and US legends such as Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker and Mojo Buford. He has released over a dozen albums as a leader (featuring many of London’s best jazz musicians including Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce and many others), and toured all over Europe with line-ups ranging from duo to nine-piece. His latest recording, the album ‘Telegraph Hill’ by the six-piece Hextet, was described in The Observer as "A true joy from beginning to end".
More info can be found on his website www.timrichards.ndo.co.uk











































