Lesson 8 of 31PianoIntermediate

Formation

3:13

Tim Richards introduces the major pentatonic scale (1, 2, 3, 5, 6) for soloing over major chords, with a practice pattern in G and D.

Part of the courseExploring Jazz Piano: Major Triads31 lessons (1h 43m)

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Tim RichardsYour guruTim Richards

What's in the course

31 lessons (1h 43m) · 1 free
    • 01. Formation

      You are here

      3:13

    • 02. NO PROBLEM Performance

      1:11

    • 03. Improvising with the major pentatonic

      5:59

Lesson transcript

Major Pentatonic Scale Lesson

We're now going to have a look at the major pentatonic scale. This is a really useful scale for improvisation on major chords.

Overview of the Major Pentatonic Scale

  • It's similar to the five-finger position.
  • We will omit the slightly problematic note, the fourth, and replace it with the sixth.

The notes are:

  • 1
  • 2
  • 3
  • 5
  • 6

We have left out the fourth and the seventh from the major scale. So, try to memorize that formation.

Playing the Scale

You can play it in one hand. Try to find it in other keys as well.

Next, we'll play it in D:

  • Think of the major scale.
  • Play: 1, 2, 3, 5, 6.

Practice Pattern

In fact, there's a little practice pattern that you might want to try, which goes from root to root.

  1. Put your thumb on the root.
  2. Put your thumb on the 5th.

Just get used to doing that.

Try it in G as well:

  • Same fingering.
  • Thumb on the root.
  • Thumb on the fifth.

Chords in Key of G

The chords of "No Problem" in the key of G are:

  • 1 chord
  • 4 chord
  • 5 chord
  • Back to the 1 chord

Some of those are inversions:

  • The C to the G to the C is right next door because I've used second inversion C.
  • Then we go down in the bridge or middle section, to D.

This time, it's the G chord, which is in second inversion.

Alternating Chords

These chords are going to be alternating:

  • 1 4, 1 4, 1 4 1
  • 5, 1 5, 1 5 1

In the right hand, we're going to be playing those two pentatonic scales in D.

Before you try the whole tune, get used to those hand positions.

Version Options

You'll find two versions of "No Problem":

  • The full version (where I play the melody, take a solo, and finish with the melody again).
  • A backing track version that you can silence.

I'd suggest using the backing track to practice your own solo or melody. If you wish, you could just use the backing track to practice three times through with the solo.

You are not obliged to learn the melody.

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Meet your guru

Tim Richards

Tim Richards

Critically acclaimed jazz pianist and composer Tim Richards is one of Britain’s most experienced jazz educators, teaching piano privately for over 30 years, as well as at Morley College, Goldsmiths College, the University of Surrey, Premises Studios and other venues in the UK and abroad. He has produced numerous titles for Schott Music, including the best-selling two-volume Exploring Jazz PianoBlues, Boogie & Gospel Collection and the acclaimed Improvising Blues Piano. He is also co-author, with John Crawford, of Exploring Latin Piano and Brazilian Piano Collection.

More recently Schott have published Jazz, Latin & Modern Collection (15 pieces for solo piano), comprising Tim Richards originals alongside pieces by Duke Ellington and Thelonious Monk, and the two volume set Beginning Jazz Piano (now a two-part MusicGurus course).

“The real joy of Tim’s music… is that it is both hugely educational but also such great fun to play. Anyone with the slightest interest in learning to play or teach jazz piano should really acquire a set of Tim’s books.” PianoDao

As a performer Tim has been a presence on the UK jazz scene since the 1980s, also playing the blues with UK and US legends such as Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker and Mojo Buford. He has released over a dozen albums as a leader (featuring many of London’s best jazz musicians including Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce and many others), and toured all over Europe with line-ups ranging from duo to nine-piece. His latest recording, the album ‘Telegraph Hill’ by the six-piece Hextet, was described in The Observer as "A true joy from beginning to end".

More info can be found on his website www.timrichards.ndo.co.uk

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