Quantisierung & Flex-Timing

Dov Waterman
Dov Waterman

Lesson time: (2min 5sec)

Ohne dass alles zu exakt auf dem Beat landen soll, entscheidet sich Dov, das Timing des Basssounds anzupassen

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This lesson is part of the course Komposition in Logic: Mixing, Finalisierung und Bouncing
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Lesson transcript:

Music Lesson: Audio Editing Techniques

Okay, so I'm hearing just...
I'm gonna do a little bit of flex time audio on this because my bass seems to be slightly out of time.

Creation vs. Mixing Process

I'd normally reserve, I'm quite strict with keeping my processes,
the creation process in terms of sounds and everything,
and the mixing process, quite separate.

Any editing falls in the middle of this; you know, of the creation and the mixing side.
But occasionally I'll go in, you know, whilst I'm mixing and just tidy things up,
just clean things up a little bit.
So I'm just going to quickly do this.

Working with Kick Percussion

If I play that and give myself a kick percussion,
it's more just that section over here,
the first section. Let's have a quick look at that.

Okay, so drag this in a little bit.
Drag that... yeah, that sits a little bit better with the kick or with other bits of the cases.
Let's quickly hear it.

Final Adjustments

Okay, so I've got no side chaining on this bass.
I'm gonna just leave it like that.

About the instructor

Dov Waterman
Dov Waterman

Dov Waterman ist Komponist, Pianist und Produzent. Er hat für Filme wie After Earth, Terminator Genisys, Transformers: The Last Knight und The Snowman Musik geschrieben und das Sounddesign gestaltet und arbeitet als Audio-Editor für Sample-Bibliotheken und Sounddesigner mit Firmen wie Native Instruments und SonoKinetic.Seine Reihe Composition in Logic geht den Aufbau eines Tracks von Anfang bis Ende in Logic Pro durch – von Templates und Workflow über Synthese und Beat-Programmierung, MIDI-Effekte, Editing bis zum finalen Mix – für Produzenten, die ihre Ideen in fertige Tracks verwandeln möchten. read more

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14 lessons (0h 32m)
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