Pre-Fader- vs. Post-Fader-Metering

Dov Waterman
Dov Waterman

Lesson time: (2min 45sec)

Der Unterschied zwischen Pre-Fader- und Post-Fader-Metering in Logic: Pre-Fader zeigt immer das Quellsignal, während Post-Fader den Pegel nach dem Kanalfader widerspiegelt.

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This lesson is part of the course Komposition in Logic: Mixing, Finalisierung und Bouncing
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Lesson transcript:

Understanding Pre-Fader and Post-Fader Metering in Mixing Logic

One important aspect to note when mixing in Logic is the choice between pre-fader and post-fader metering.

Post-Fader Metering

  • Post-fader metering shows you the signal after it has passed through the channel.
  • If you're listening to something and you lower the volume here, it will lower the overall output volume.

Pre-Fader Metering

  • Pre-fader metering displays the original output signal, regardless of your fader position.
  • No matter where you set the fader, it will always indicate the original signal.

Key Differences

  • If you're peaking, the input signal will still show peaking status even if the output volume is low.
  • This provides a far better representation of your mixing status and helps you identify any peaking at the main volume.

Example

  • For instance, if your fader is down but the meter shows the signal is still up, you can see where the peaks are:
    • "Whether I have it up here or down here, it's still going to show me the source signal."
    • If I'm peaking over here, even when the volume is very low, I'll be aware of where it is at.

Adjusting Levels

  • I might go ahead and adjust whichever instrument is peaking.
    • For example, the bass seems to be too high; I can pull it down a bit now.
    • Be careful: lowering it here influences the output volume, but the original signal remains high.

Final Adjustments

  • The original signal is coming through the ACQ section of my SSL console.
  • My approach would be to lower the input signal slightly and perhaps apply a little compression.
  • For now, I'll leave the EQ as is since it doesn't bother me much.
  • Overall, the signal level is acceptable now.

Let's see how the next instrument is performing.

About the instructor

Dov Waterman
Dov Waterman

Dov Waterman ist Komponist, Pianist und Produzent. Er hat für Filme wie After Earth, Terminator Genisys, Transformers: The Last Knight und The Snowman Musik geschrieben und das Sounddesign gestaltet und arbeitet als Audio-Editor für Sample-Bibliotheken und Sounddesigner mit Firmen wie Native Instruments und SonoKinetic.Seine Reihe Composition in Logic geht den Aufbau eines Tracks von Anfang bis Ende in Logic Pro durch – von Templates und Workflow über Synthese und Beat-Programmierung, MIDI-Effekte, Editing bis zum finalen Mix – für Produzenten, die ihre Ideen in fertige Tracks verwandeln möchten. read more

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