Ampliar el sonido de la batería

Dov Waterman
Dov Waterman

Lesson time: (3min 47sec)

Lesson transcript:

Music Production Lesson: Mid-Side EQ Processing

Okay, so just leveling stuff out. I'm just listening to my virtual drummer. The drum track has been cut up and changed a little bit. It's sounding nice and EQ'd nicely. However, it's sounding a little bit mono to me.

Processing with Mid-Side EQ

So, what I'm going to do is process it through a mid-side EQ. I'll pull up one of Logic's EQs, specifically a vintage tube EQ. This is a new emulation, actually of the Pultec, very nice!

  1. Open Dual Mono:
    I'm going to open it up as a dual mono. Like on a real desk, this signal would be coming in on two dual mono channels, either panned left or right, or mono; it doesn't really matter in this case.

  2. Switch to Mid-Side:
    I'm going to turn it into mid-side. I'll go down here and put it to mid-side so I can process both sides. Basically, the mid, which is normally the kick and the snare, would be centered, while anything else, like the cymbals, could be a little bit wider.

  3. Widening the Sound:
    This will give me the effect of widening the sound. So, we're taking some frequencies, the outer frequencies, and boosting or cutting them, effectively widening the overall sound a bit.

EQ Adjustment Steps

  • Go to the mids:
    • Boost in here.
    • Cut the high attenuation.
  • Then, boost the highs a little.

Before and After

This is what it sounds like before: quite mono. Now, it's processed as a mid-side plug-in, adding quite a lot of depth and width to the sound.

Final Adjustments

Okay, so we'll leave that and add the rest of the things.

  • Peaking Issues:
    This is peaking things a little bit; I'm going to bring down the volume.

  • Kick Discrepancy:
    There is some discrepancy here in the kick, it's doing something a little bit strange. I think it must be quantized to some funny quantization.

  • Leveling Drums:
    So I'm just going to pull it into its quantization. It's quantizing on the 16th. Okay, so I'll go ahead and just level all these drums out.

About the instructor

Dov Waterman
Dov Waterman

Dov Waterman es compositor, pianista y productor. Ha escrito y diseñado el sonido de películas como After Earth, Terminator Genisys, Transformers: The Last Knight y The Snowman, y trabaja como editor de audio de bibliotecas de samples y diseñador de sonido con empresas como Native Instruments y SonoKinetic.Su serie Composition in Logic recorre la construcción de un tema de principio a fin en Logic Pro —desde las plantillas y el flujo de trabajo hasta la síntesis y la programación de ritmos, los efectos MIDI, la edición y la mezcla final— para productores que quieran convertir sus ideas en discos terminados. read more

What's included?

14 lessons (0h 32m)
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