Lesson 4 of 14Music ProductionIntermediate

Widening the drum sound

3:47
After leveling, Dov feels that the drums are sounding a bit "mono". Let's widen those sounds
Part of the courseComposition in Logic: Mixing, Finalising & Bouncing14 lessons (0h 33m)

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Dov WatermanYour guruDov Waterman

What's in the course

14 lessons (0h 33m) · 1 free
    • 01. Intro to mixing and automation

      Free lesson

      0:45

    • 02. Finessing your track

      2:52

    • 03. Approaching the mix - housekeeping and leveling

      6:42

    • 04. Widening the drum sound

      You are here

      3:47

    • 05. Side-chaining

      2:42

    • 06. Pre-fade vs Post-fade metering

      2:45

    • 07. Quantizing & flex-timing

      2:05

    • 08. Checking levels, adding compression

      1:18

    • 09. Creative processing & effects

      3:14

    • 10. ASSIGNMENT: Track Alternatives

      1:02

Lesson transcript

Music Production Lesson: Mid-Side EQ Processing

Okay, so just leveling stuff out. I'm just listening to my virtual drummer. The drum track has been cut up and changed a little bit. It's sounding nice and EQ'd nicely. However, it's sounding a little bit mono to me.

Processing with Mid-Side EQ

So, what I'm going to do is process it through a mid-side EQ. I'll pull up one of Logic's EQs, specifically a vintage tube EQ. This is a new emulation, actually of the Pultec, very nice!

  1. Open Dual Mono:
    I'm going to open it up as a dual mono. Like on a real desk, this signal would be coming in on two dual mono channels, either panned left or right, or mono; it doesn't really matter in this case.

  2. Switch to Mid-Side:
    I'm going to turn it into mid-side. I'll go down here and put it to mid-side so I can process both sides. Basically, the mid, which is normally the kick and the snare, would be centered, while anything else, like the cymbals, could be a little bit wider.

  3. Widening the Sound:
    This will give me the effect of widening the sound. So, we're taking some frequencies, the outer frequencies, and boosting or cutting them, effectively widening the overall sound a bit.

EQ Adjustment Steps

  • Go to the mids:
    • Boost in here.
    • Cut the high attenuation.
  • Then, boost the highs a little.

Before and After

This is what it sounds like before: quite mono. Now, it's processed as a mid-side plug-in, adding quite a lot of depth and width to the sound.

Final Adjustments

Okay, so we'll leave that and add the rest of the things.

  • Peaking Issues:
    This is peaking things a little bit; I'm going to bring down the volume.

  • Kick Discrepancy:
    There is some discrepancy here in the kick, it's doing something a little bit strange. I think it must be quantized to some funny quantization.

  • Leveling Drums:
    So I'm just going to pull it into its quantization. It's quantizing on the 16th. Okay, so I'll go ahead and just level all these drums out.

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Meet your guru

Dov Waterman

Dov Waterman

Dov Waterman is a composer, pianist and producer. He has written and designed sound for films including After Earth, Terminator Genisys, Transformers: The Last Knight and The Snowman, and works as a sample-library audio editor and sound designer with companies such as Native Instruments and SonoKinetic.

His Composition in Logic series walks through building a track end to end in Logic Pro - from templates and workflow to synthesis and beat programming, MIDI effects, editing and the final mix - for producers who want to turn their ideas into finished records.

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