The Sus-4 chord

With
Tim RichardsLearn how to form a Sus4 chord from an ordinary G7 chord on the piano.
What's in the course
20 lessons (0h 46m) · 1 freeLesson transcript
Music Lesson: Understanding the C Major 7 and G7 SUS4 Chords
As well as this C major 7 chord played like this:
- Bill Evans plays a G7 chord, but he doesn't play it in the ordinary way, like this root position.
- In fact, the shape he uses is like that, but with the middle two notes moved down one.
Understanding the SUS4 Chord
This is called a SUS4 chord. The reason it's SUS4 is because it has the fourth in, which takes the place of the third. We no longer have a B.
- Normally, a chord with a fourth in like that would resolve, and the fourth would move down to the third.
- But when it doesn't do that, like this one, you call it a suspended fourth.
In fact, because it's also got an A in, which is the second or the ninth, you could call it G9SUS4.
Chords for Left Hand
The two chords that you're going to be playing in the left hand are:
- C major like this
- G7 like this
Additional Notes
Now, Bill Evans actually plays bass notes as well. This is his left hand, which I don't think he invented, by the way. There's a precedent for this.
- You may have heard it in other pieces of music.
- So I'm using pedal there so that we get the bass note ringing with the chord.
However, on the backing track, you've already got the bass line or the C and the G. They're already present.
Chord Progression
So all you have to do is play those chords.
- This is really just a perfect cadence: G7 to C major or C to G (1 to 5).
- Another two chord vamp.
Improvisation Over Chords
And Bill Evans plays over those two chords without changing the left hand at all for almost seven minutes. The right hand gets more and more atonal as the track progresses.
So do check it out. It's one of the tracks listed in the listening section at the end of this chapter.
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Meet your guru

Meet your guru
Critically acclaimed jazz pianist and composer Tim Richards is one of Britain’s most experienced jazz educators, teaching piano privately for over 30 years, as well as at Morley College, Goldsmiths College, the University of Surrey, Premises Studios and other venues in the UK and abroad. He has produced numerous titles for Schott Music, including the best-selling two-volume Exploring Jazz Piano, Blues, Boogie & Gospel Collection and the acclaimed Improvising Blues Piano. He is also co-author, with John Crawford, of Exploring Latin Piano and Brazilian Piano Collection.
More recently Schott have published Jazz, Latin & Modern Collection (15 pieces for solo piano), comprising Tim Richards originals alongside pieces by Duke Ellington and Thelonious Monk, and the two volume set Beginning Jazz Piano (now a two-part MusicGurus course).
“The real joy of Tim’s music… is that it is both hugely educational but also such great fun to play. Anyone with the slightest interest in learning to play or teach jazz piano should really acquire a set of Tim’s books.” PianoDao
As a performer Tim has been a presence on the UK jazz scene since the 1980s, also playing the blues with UK and US legends such as Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker and Mojo Buford. He has released over a dozen albums as a leader (featuring many of London’s best jazz musicians including Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce and many others), and toured all over Europe with line-ups ranging from duo to nine-piece. His latest recording, the album ‘Telegraph Hill’ by the six-piece Hextet, was described in The Observer as "A true joy from beginning to end".
More info can be found on his website www.timrichards.ndo.co.uk
































