Sing & Play #2

With
Tim RichardsA sing-and-play routine in A minor: work phrases through different hand positions, then try a swing version with added sevenths.
What's in the course
20 lessons (0h 46m) · 1 freeLesson transcript
Music Lesson: Exploring Hand Positions in A Minor
Introduction
In this lesson, we will explore different hand positions in A minor and practice singing and playing phrases based on these positions.
Hand Positions
-
First Hand Position:
- Notes: Da da da da da da da
-
Second Hand Position:
- Sing a phrase based on the notes.
-
Third Hand Position:
- Notes: Do badu da
- Sing a phrase and try to copy it on the piano.
-
Fourth Hand Position:
- Notes: Do badu da
- Make something up using those notes.
-
Final Hand Position:
- Spend time creating two-bar phrases using this shape.
Practice Tips
- The second sing and play track has a swing feel, featuring the same chords but with added sevenths.
- Experiment with an on/off rhythm to liven up the swing feel.
Playing Technique
- I will demonstrate the fret shapes up higher, but I'll sing them an octave lower for comfort.
- First hand position
- Next shape up
- Continue progressing through each position.
Variation Practice
- Aim to create two-bar patterns and spend time with each hand position.
- Think up as many different variations as you can!
- Don't worry about your singing voice or intonation; humming or whistling is perfectly acceptable.
Conclusion
- The goal is to hear phrases in your head and be able to find them on the keyboard.
- Eventually, try this exercise with a backing track.
- Remember, you have the option to play in either a swing feel or a straight feel.
Final Encouragement
- Experiment with left hand chords and keep them going.
- Feel free to play some on/off chords if you'd like.
Have fun!
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Meet your guru

Meet your guru
Critically acclaimed jazz pianist and composer Tim Richards is one of Britain’s most experienced jazz educators, teaching piano privately for over 30 years, as well as at Morley College, Goldsmiths College, the University of Surrey, Premises Studios and other venues in the UK and abroad. He has produced numerous titles for Schott Music, including the best-selling two-volume Exploring Jazz Piano, Blues, Boogie & Gospel Collection and the acclaimed Improvising Blues Piano. He is also co-author, with John Crawford, of Exploring Latin Piano and Brazilian Piano Collection.
More recently Schott have published Jazz, Latin & Modern Collection (15 pieces for solo piano), comprising Tim Richards originals alongside pieces by Duke Ellington and Thelonious Monk, and the two volume set Beginning Jazz Piano (now a two-part MusicGurus course).
“The real joy of Tim’s music… is that it is both hugely educational but also such great fun to play. Anyone with the slightest interest in learning to play or teach jazz piano should really acquire a set of Tim’s books.” PianoDao
As a performer Tim has been a presence on the UK jazz scene since the 1980s, also playing the blues with UK and US legends such as Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker and Mojo Buford. He has released over a dozen albums as a leader (featuring many of London’s best jazz musicians including Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce and many others), and toured all over Europe with line-ups ranging from duo to nine-piece. His latest recording, the album ‘Telegraph Hill’ by the six-piece Hextet, was described in The Observer as "A true joy from beginning to end".
More info can be found on his website www.timrichards.ndo.co.uk
































