The minor chord on II

With
Tim RichardsTim Richards explains why the II chord in a major key is minor, using a G to A minor two-chord vamp to get the sound under your fingers.
What's in the course
20 lessons (0h 46m) · 1 freeLesson transcript
Music Lesson: Exploring Chords and Scales
So, one of the things you may remember from lesson 16 is that in major keys, the II chord on the second degree of the scale is a minor chord.
Example:
- Key of G: The II chord is an A minor.
If you look at the scale of G, those notes are in the scale. This means we can play a two-chord vamp using G and A minor. This will be a one to two vamp.
Let's Try This:
- Use the metronome following the eight-bar sequence from the next tune, Eau de Cologne.
- This piece was inspired by Keith Jarrett's famous recording from the Cologne concert, known as Part One, where he improvises over these two chords for about seven minutes.
"It was good enough for Keith Jarrett. Didn't worry him not changing chords for seven minutes."
Metronome Setting:
- Set at 100 beats per minute, 3/4 time.
Just repeat that 8-bar sequence over and over. In the right hand, you can play:
- The scale of G
- A G major pentatonic.
Either will sound fine, as the scale of G contains both the notes of G major and A minor. So what can go wrong?
Chord Positioning:
We're actually going to not play the chords in root position. Instead, you'll play them in second inversion.
Preparation:
In preparation for the piece, try playing a scale loop or a five-finger position up and down.
-
Scale Practice:
- Let's try a scale first of all in straight 8ths.
- Go down as well.
-
Pentatonic Scale:
- You could also try a pentatonic scale using the same type of approach.
Additional Resources:
Have a look at the PDF; there are some tips there and some things you can practice in readiness for playing Eau de Cologne, the next piece.
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Meet your guru

Meet your guru
Critically acclaimed jazz pianist and composer Tim Richards is one of Britain’s most experienced jazz educators, teaching piano privately for over 30 years, as well as at Morley College, Goldsmiths College, the University of Surrey, Premises Studios and other venues in the UK and abroad. He has produced numerous titles for Schott Music, including the best-selling two-volume Exploring Jazz Piano, Blues, Boogie & Gospel Collection and the acclaimed Improvising Blues Piano. He is also co-author, with John Crawford, of Exploring Latin Piano and Brazilian Piano Collection.
More recently Schott have published Jazz, Latin & Modern Collection (15 pieces for solo piano), comprising Tim Richards originals alongside pieces by Duke Ellington and Thelonious Monk, and the two volume set Beginning Jazz Piano (now a two-part MusicGurus course).
“The real joy of Tim’s music… is that it is both hugely educational but also such great fun to play. Anyone with the slightest interest in learning to play or teach jazz piano should really acquire a set of Tim’s books.” PianoDao
As a performer Tim has been a presence on the UK jazz scene since the 1980s, also playing the blues with UK and US legends such as Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker and Mojo Buford. He has released over a dozen albums as a leader (featuring many of London’s best jazz musicians including Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce and many others), and toured all over Europe with line-ups ranging from duo to nine-piece. His latest recording, the album ‘Telegraph Hill’ by the six-piece Hextet, was described in The Observer as "A true joy from beginning to end".
More info can be found on his website www.timrichards.ndo.co.uk
































