Melodic minor and Dorian scales

With
Tim RichardsLearn how to play the C melodic minor scale on the piano, and the C Dorian scale.
What's in the course
20 lessons (0h 46m) · 1 freeLesson transcript
Understanding Minor Scales in Jazz
So, although you played a minor chord in Eau de Cologne, we haven't actually done anything in a minor key yet. If you've had classical piano lessons, you'll probably be familiar with the melodic minor.
Melodic Minor Scale
- The melodic minor is exactly the same as a major scale with a minor third.
- For example, C major with an E flat.
In jazz, the same scale is played in both directions; we don't have a different form for the descending scale.
Triads in the Melodic Minor Scale
Now, let's look at the triads that you get in that scale:
- I chord: Minor
- IV chord: Will have an A natural in
- V chord (G chord): Will have a B natural in from the scale
So, the IV and V chords are both major.
Dorian Minor Scale
Another frequently used scale in jazz is the Dorian minor, which is the same as the melodic minor, but with a flat 7.
- You could also think of that as a major scale, like C major, but with:
- A flat 3
- A B7
Triads for Dorian Minor
Now, let's look at the triads that you find on I, IV, and V:
- I chord: C minor (that's obviously a given for a minor key)
- IV chord: F major
- V chord: Because of the B flat, the V chord will now be minor.
So, we have:
- C minor
- IV: Major
- V: Minor
Conclusion
The melodic and Dorian minor scales are just two of the minor scales in common use. In fact, minor harmony offers much more choice than major keys, where there are few alternatives to the major scale.
Next Tune: Soulful Step
The next tune, Soulful Step, is based on the one minor and four chords present in both these scales. Notice I'm playing the F now as a second inversion to keep it next door to the C.
We might even play it like this, just to create a bit of a groove.
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Meet your guru

Meet your guru
Critically acclaimed jazz pianist and composer Tim Richards is one of Britain’s most experienced jazz educators, teaching piano privately for over 30 years, as well as at Morley College, Goldsmiths College, the University of Surrey, Premises Studios and other venues in the UK and abroad. He has produced numerous titles for Schott Music, including the best-selling two-volume Exploring Jazz Piano, Blues, Boogie & Gospel Collection and the acclaimed Improvising Blues Piano. He is also co-author, with John Crawford, of Exploring Latin Piano and Brazilian Piano Collection.
More recently Schott have published Jazz, Latin & Modern Collection (15 pieces for solo piano), comprising Tim Richards originals alongside pieces by Duke Ellington and Thelonious Monk, and the two volume set Beginning Jazz Piano (now a two-part MusicGurus course).
“The real joy of Tim’s music… is that it is both hugely educational but also such great fun to play. Anyone with the slightest interest in learning to play or teach jazz piano should really acquire a set of Tim’s books.” PianoDao
As a performer Tim has been a presence on the UK jazz scene since the 1980s, also playing the blues with UK and US legends such as Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker and Mojo Buford. He has released over a dozen albums as a leader (featuring many of London’s best jazz musicians including Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce and many others), and toured all over Europe with line-ups ranging from duo to nine-piece. His latest recording, the album ‘Telegraph Hill’ by the six-piece Hextet, was described in The Observer as "A true joy from beginning to end".
More info can be found on his website www.timrichards.ndo.co.uk
































