CHECKPOINT: Seventh chords and Listening

Tim Richards
Tim Richards

Lesson time: (3min 2sec)

Learn how to play seventh arpeggios on the piano with this great routine over left-hand chords. Includes great listening suggestions to train your musical ear.

Course preview

This lesson is part of the course Beginning Jazz Piano: Two-Chord Vamps
Watch a preview of the full course below.

Lesson transcript:

Exploration of Two-Chord Vamps and Seventh Chords

In this chapter, we've explored a range of two-chord vamps, including:

  • Alternating 1 and 4 chords: C to F
  • Alternating 1 and 5 chords: G to D7
  • Alternating I and II chords: G to A minor
  • Soulful step: C minor to F (one minor to four)

We've also delved into three different types of seventh chords:

  • C major seven
  • C seven
  • C minor seven

It's beneficial to get to know these chords in other keys as well. We haven't always done them in C.

Daily Practice Routine

  • Play these three chords in a different key every day using the cycle of fifths.
    • For example, tomorrow try F major, F7, and F minor 7.
  • Additionally, practice them in the left hand with arpeggios.

This is a little routine you can do with a metronome. Again, we're practicing in C today. I'll demonstrate it.

  1. Set the metronome at 100 beats per minute.
  2. Play the arpeggio of the chord up to the root using all five fingers.
  3. Let's do each arpeggio twice, just in case you make a mistake the first time.
  4. We will be going from major to dominant to minor (2 each).

Count In:
1, 2, 3, 4.

Moving Through Keys

So, that's your practice for the day. Tomorrow, go around the cycle either clockwise or counterclockwise:

  • If you're moving up in fourths, you might move up to F.
  • If you want to move up in fifths, you'll be doing it in G.

Keep time with the left hand chords. Notice that I'm playing the left hand on the first beat of every bar; this is also important.

Weekly Routine

If you did this little routine every day, maybe give yourself Sundays off, in two weeks you could cover all 12 keys, practicing a different key every day. That would result in 36 chords learned and 36 arpeggios.

Listening Suggestions

Don't forget to check out the PDF with listening suggestions. This has a whole bunch of tunes featuring just two chords from artists like:

  • Etta James
  • Dr. John
  • Bill Evans
  • Keith Jarrett

And many more, including:

  • Cannibal Adderley
  • John Coltrane
  • Ramsey Lewis
  • Miles Davis
  • Herbie Hancock

Explore these tracks to enhance your understanding and enjoyment of the music!

About the instructor

Tim Richards
Tim Richards

Critically acclaimed jazz pianist and composer Tim Richards is one of Britain’s most experienced jazz educators, teaching piano privately for over 30 years, as well as at Morley College, Goldsmiths College, the University of Surrey, Premises Studios and other venues in the UK and abroad. He has produced numerous titles for Schott Music, including the best-selling two-volume Exploring Jazz Piano, Blues, Boogie & Gospel Collection and the acclaimed Improvising Blues Piano. He is also co-author, with John Crawford, of Exploring Latin Piano and Brazilian Piano Collection.More recently Schott have published Jazz, Latin & Modern Collection (15 pieces for solo piano), comprising Tim Richards originals alongside pieces by Duke Ellington and Thelonious Monk, and the two volume set Beginning Jazz Piano (now a two-part MusicGurus course).“The real joy of Tim’s music… is that it is both hugely educational but also such great fun to play. Anyone with the slightest interest in learning to play or teach jazz piano should really acquire a set of Tim’s books.” PianoDaoAs a performer Tim has been a presence on the UK jazz scene since the 1980s, also playing the blues with UK and US legends such as Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker and Mojo Buford. He has released over a dozen albums as a leader (featuring many of London’s best jazz musicians including Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce and many others), and toured all over Europe with line-ups ranging from duo to nine-piece. His latest recording, the album ‘Telegraph Hill’ by the six-piece Hextet, was described in The Observer as "A true joy from beginning to end". More info can be found on his website www.timrichards.ndo.co.uk read more

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20 lessons (0h 46m)
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