Cycle of fifths and spread position triads

With
Tim RichardsLearn the cycle of fifths on the piano, and G major spread position shapes.
What's in the course
16 lessons (0h 34m) · 1 freeLesson transcript
Arpeggio Fun: Enhancing Creativity and Hand Independence
So, arpeggio fun is ticking several boxes.
Creativity Challenge
First of all, it's a challenge to your creativity, having to make up different phrases using just three notes.
Hand Independence Test
Secondly, it's a test of your hand independence. You should be able to keep the left-hand chord on the beat in the same place without getting lost or being thrown off by the right hand.
Practice Without Guidance
You should try this now without me playing:
- Click on the backing track and have a go yourself.
- You can also practice this, obviously not with the backing track, but in other keys as well.
Know Your Triads
You should get to know your triads of G, D, and so on, around the cycle of fifths.
Visual Aid
Have a look at the diagram. You'll see how all 12 keys can be spaced around a clock face.
- For sharp keys: C, G, D, A
- You're adding one sharp at a time while going up in fifths.
Expanding to Four Note Chords
Let's do the same with four-note chords. This gives you slightly more options for varying your phrases.
- For instance, in G:
- Not just the root position triad, but the root, top, and bottom.
- This is called a spread position triad.
Inversion Shapes
You can do this with the three inversion shapes:
- Root Position:
- First Inversion:
- Second Inversion:
Explore Inversions
Try this in a similar way to arpeggio fun:
- Practice with some chords in the left hand.
- Explore the different inversion positions.
Moving Through Keys
Then move to Triton D, the next chord in the cycle, and continue through A and all the other keys.
- Eventually, you don't have to do them all at once.
- Do one a day, for instance, and gradually learn all your major triads.
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Meet your guru

Meet your guru
Critically acclaimed jazz pianist and composer Tim Richards is one of Britain’s most experienced jazz educators, teaching piano privately for over 30 years, as well as at Morley College, Goldsmiths College, the University of Surrey, Premises Studios and other venues in the UK and abroad. He has produced numerous titles for Schott Music, including the best-selling two-volume Exploring Jazz Piano, Blues, Boogie & Gospel Collection and the acclaimed Improvising Blues Piano. He is also co-author, with John Crawford, of Exploring Latin Piano and Brazilian Piano Collection.
More recently Schott have published Jazz, Latin & Modern Collection (15 pieces for solo piano), comprising Tim Richards originals alongside pieces by Duke Ellington and Thelonious Monk, and the two volume set Beginning Jazz Piano (now a two-part MusicGurus course).
“The real joy of Tim’s music… is that it is both hugely educational but also such great fun to play. Anyone with the slightest interest in learning to play or teach jazz piano should really acquire a set of Tim’s books.” PianoDao
As a performer Tim has been a presence on the UK jazz scene since the 1980s, also playing the blues with UK and US legends such as Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker and Mojo Buford. He has released over a dozen albums as a leader (featuring many of London’s best jazz musicians including Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce and many others), and toured all over Europe with line-ups ranging from duo to nine-piece. His latest recording, the album ‘Telegraph Hill’ by the six-piece Hextet, was described in The Observer as "A true joy from beginning to end".
More info can be found on his website www.timrichards.ndo.co.uk




























