Lesson 15 of 16PianoBeginner

Clusters and other melodic choices

0:52

Tim Richards explores playing clusters, stacking notes a tone apart from the whole tone scale, to add deliberate dissonance to your improvising.

Part of the courseBeginning Jazz Piano: Triads & Pentatonics16 lessons (0h 31m)

This lesson is part of the full course. 1 lesson is free to watch.

from$13/month

Explore the course
Cancel anytime30-day refund
Tim RichardsYour guruTim Richards

What's in the course

16 lessons (0h 31m) · 1 free
    • 01. Dominant Seventh Broken Chords

      3:27

    • 02. Dominant Dissonance (performance)

      1:28

    • 03. Clusters and other melodic choices

      You are here

      0:52

    • 04. CHECKPOINT: Loops and listening

      2:26

Lesson transcript

Exploring Clusters in Improvisation

In the repeat of the improvisation section of Dominant Distance, you'll notice it was much freer. I wasn't worrying about the left-hand chord so much, and I was experimenting with what you might call clusters.

What are Clusters?

An example of a cluster would be two notes a tone apart, such as:

  • F sharp and A flat
  • You can even add a third note to create a whole tone cluster.

These clusters come from the whole tone scale.

Additional Clusters

You can also try:

  • C and D together
  • B and C together
  • Adding three notes for more complexity

Embrace the Dissonance

Just have fun with that stuff and don't worry if some of it sounds a bit out. The whole idea is to provoke the listener into embracing the dissonance.

$13/monthSubscription

16 lessons

0h 31m of structured video lessons

Advanced video features

Slow down, loop a passage, follow along

Mobile, tablet & desktop

Practise wherever you are

100% satisfaction guarantee

30-day money-back guarantee

Meet your guru

Tim Richards

Tim Richards

Critically acclaimed jazz pianist and composer Tim Richards is one of Britain’s most experienced jazz educators, teaching piano privately for over 30 years, as well as at Morley College, Goldsmiths College, the University of Surrey, Premises Studios and other venues in the UK and abroad. He has produced numerous titles for Schott Music, including the best-selling two-volume Exploring Jazz Piano, Blues, Boogie & Gospel Collection and the acclaimed Improvising Blues Piano. He is also co-author, with John Crawford, of Exploring Latin Piano and Brazilian Piano Collection.

More recently Schott have published Jazz, Latin & Modern Collection (15 pieces for solo piano), comprising Tim Richards originals alongside pieces by Duke Ellington and Thelonious Monk, and the two volume set Beginning Jazz Piano (now a two-part MusicGurus course).

“The real joy of Tim’s music… is that it is both hugely educational but also such great fun to play. Anyone with the slightest interest in learning to play or teach jazz piano should really acquire a set of Tim’s books.” PianoDao

As a performer Tim has been a presence on the UK jazz scene since the 1980s, also playing the blues with UK and US legends such as Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker and Mojo Buford. He has released over a dozen albums as a leader (featuring many of London’s best jazz musicians including Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce and many others), and toured all over Europe with line-ups ranging from duo to nine-piece. His latest recording, the album ‘Telegraph Hill’ by the six-piece Hextet, was described in The Observer as "A true joy from beginning to end".

More info can be found on his website www.timrichards.ndo.co.uk

Tim Richards
Pat Levett
Joe Glossop
Frank Doll
Katie Melua
Ed O'Brien
Imogen Heap
Adam Mishan
Chet Atkins

Learn from Tim Richards and hundreds of others

Unlimited access, money back guaranteed

$13/month

Subscription