Major seventh arpeggios

Tim Richards
Tim Richards

Lesson time: (2min 39sec)

Learn how to play alternating major seventh and sixth chords on the piano, and major sevenths arpeggios (two octaves).

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This lesson is part of the course Beginning Jazz Piano: Triads & Pentatonics
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Lesson transcript:

C6 and C Major 7 Chords

So, the C6 chord that we played in "Sing and Play Number One" is a four-note chord. We haven't played that until now; it's all been triads. In fact, Jazz uses mostly four-note chords, which can be categorized into two types:

  • Sixths
  • Sevenths

Understanding C6 and C Major 7

You have already played the C6 chord. The other one is C major 7. Both of these chords use notes from the C major scale, either the sixth or the seventh.

Important Note: Don't confuse C major 7 with C7. C7 includes a black note of B flat on top, which is referred to as the flattened seventh.

For now, we won't be playing C7; we will focus on C major 7 and C6. In the next piece, these two chords will be alternated as they are essentially interchangeable in the right hand.

Practice Recommendations

It would be beneficial to start practicing major seventh arpeggios. Here's a simple example:

  • Play an octave higher.

Note: This exercise uses all fingers, particularly the fourth and fifth fingers at the top. It's excellent technical practice to strengthen these often weak fingers.

Suggested Exercise

  1. Play 4th and 5th fingers: Practice using the fourth and fifth fingers, which are often weak.
  2. Try it over two octaves: This requires careful passing underneath the thumb.
  3. Maintain a flexible wrist:
    • Avoid twisting the hand.
    • Keep the elbow raised as little as possible.
    • Aim for a legato sound.

Tip: Play this slowly first with the metronome and try playing it both straight and swung.

Advanced Fingering

The fingering you use will be appropriate for any major seventh arpeggio that starts on a white note, like C major 7 or D major 7.

In the next piece, however, you will need to play in E flat and A flat, so the fingering for those will differ. You can check it out on the PDF for the one-octave version.

New Fingering for E Flat and A Flat

  1. Start with the second finger.
  2. Place the thumb on G.

Preparation for Major Syncopation

In preparation for the major syncopation in the next piece, practice those arpeggios and the chords in three keys:

  • C
  • E flat
  • A flat

All three should be major sevenths.

About the instructor

Tim Richards
Tim Richards

Critically acclaimed jazz pianist and composer Tim Richards is one of Britain’s most experienced jazz educators, teaching piano privately for over 30 years, as well as at Morley College, Goldsmiths College, the University of Surrey, Premises Studios and other venues in the UK and abroad. He has produced numerous titles for Schott Music, including the best-selling two-volume Exploring Jazz Piano, Blues, Boogie & Gospel Collection and the acclaimed Improvising Blues Piano. He is also co-author, with John Crawford, of Exploring Latin Piano and Brazilian Piano Collection.More recently Schott have published Jazz, Latin & Modern Collection (15 pieces for solo piano), comprising Tim Richards originals alongside pieces by Duke Ellington and Thelonious Monk, and the two volume set Beginning Jazz Piano (now a two-part MusicGurus course).“The real joy of Tim’s music… is that it is both hugely educational but also such great fun to play. Anyone with the slightest interest in learning to play or teach jazz piano should really acquire a set of Tim’s books.” PianoDaoAs a performer Tim has been a presence on the UK jazz scene since the 1980s, also playing the blues with UK and US legends such as Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker and Mojo Buford. He has released over a dozen albums as a leader (featuring many of London’s best jazz musicians including Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce and many others), and toured all over Europe with line-ups ranging from duo to nine-piece. His latest recording, the album ‘Telegraph Hill’ by the six-piece Hextet, was described in The Observer as "A true joy from beginning to end". More info can be found on his website www.timrichards.ndo.co.uk read more

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16 lessons (0h 34m)
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