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Broken chords

Tim Richards
Tim Richards

Lesson time: (1min 51sec)

Tim Richards explains broken chords - playing a triad one note at a time - and shares a practice routine for working them through different keys.

Free lesson

This lesson is part of the course Beginning Jazz Piano: Triads & Pentatonics
Watch this lesson for free below.

Lesson transcript:

Improvisation and Chord Practice Routine

When you've played one chord, jam a few times with the backing track.

Key Exploration

  • Try it away from the recording in different keys.
  • For instance, if you started in F, you could go around the key clock and try it in:
    • C
    • G
  • Consider doing this in a different key every day.

Chord Playing and Improvisation

So you're playing:

  • Chords in the left hand on the beat
  • Improvise with:
    • The major scale
    • The major triad
    • Arpeggios or broken chords

Understanding Broken Chords

Talking about broken chords, that's the figure you heard.

It's like an arpeggio, but we're just going up one note at a time. It's really important to practice those.

Practice Routine

Here's a practice routine for triads, which are the basis of the broken chord patterns:

  • F Major:
    • Practice with a metronome.
    • It's important to be able to play it in time.

Starting at 80 beats per minute:

  • 2 clicks per chord

Once you've got the notes sorted, you can obviously play faster.

Fingering

The fingering is important:

  • 1, 3, 5 on the first inversion
  • Then practice: 1, 3, 5, 1, 2, 5, and back to 1, 3, 5

That fingering is going to remain the same when you play broken chords.

Typical Patterns

A typical pattern might be:

  • Or you could play it in triplets.

(The fingerings are given on the PDF.)

Part of:

Beginning Jazz Piano: Triads & Pentatonics
Course

Beginning Jazz Piano: Triads & Pentatonics

with Tim Richards

16 lessons (0h 34m)

About the instructor

Tim Richards
Tim Richards

Critically acclaimed jazz pianist and composer Tim Richards is one of Britain’s most experienced jazz educators, teaching piano privately for over 30 years, as well as at Morley College, Goldsmiths College, the University of Surrey, Premises Studios and other venues in the UK and abroad. He has produced numerous titles for Schott Music, including the best-selling two-volume Exploring Jazz Piano, Blues, Boogie & Gospel Collection and the acclaimed Improvising Blues Piano. He is also co-author, with John Crawford, of Exploring Latin Piano and Brazilian Piano Collection.More recently Schott have published Jazz, Latin & Modern Collection (15 pieces for solo piano), comprising Tim Richards originals alongside pieces by Duke Ellington and Thelonious Monk, and the two volume set Beginning Jazz Piano (now a two-part MusicGurus course).“The real joy of Tim’s music… is that it is both hugely educational but also such great fun to play. Anyone with the slightest interest in learning to play or teach jazz piano should really acquire a set of Tim’s books.” PianoDaoAs a performer Tim has been a presence on the UK jazz scene since the 1980s, also playing the blues with UK and US legends such as Otis Grand, Earl Green, Dana Gillespie, Larry Garner, Joe Louis Walker and Mojo Buford. He has released over a dozen albums as a leader (featuring many of London’s best jazz musicians including Pete King, Gilad Atzmon, Tony Kofi, Jason Yarde, Seb Rochford, Ed Jones, Dick Pearce and many others), and toured all over Europe with line-ups ranging from duo to nine-piece. His latest recording, the album ‘Telegraph Hill’ by the six-piece Hextet, was described in The Observer as "A true joy from beginning to end". More info can be found on his website www.timrichards.ndo.co.uk read more

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What's included?

16 lessons (0h 34m)
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