Partition ou jouer à l'oreille ?
Lesson time: (1min 32sec)
Course preview
This lesson is part of the course Musicalité et improvisation en brass band avec Youngblood
Watch a preview of the full course below.
Lesson transcript:
The Challenge of Playing by Ear
Right now, not playing by ear was harder than I had given it credit for.
- Like, not actually having the bass line there was kind of messing with me a little bit.
- I'm thinking of the melody, but I'm thinking of the melody too much, where I just want to play the melody.
But yeah, I mean, mostly by ear.
Traditional Learning
In this sort of music, there has never been a piece of sheet music on any of the traditional pieces that I've ever seen.
- I think Joe and I both learned a lot of the traditional repertoire by ear, through oral tradition.
- I believe it would be really very difficult to learn this stuff by reading sheet music.
Reading sheet music means you're dissecting someone's arrangement rather than just listening.
The Importance of Listening
It's more effective to seek out my favorite version of a trombone playing this stuff and then instantly have that sound in my ear, rather than looking at a page of music.
- For example, playing in the style of Freddy Lonzo, circa 1986 recording.
- In that case, we would have to read a novel on a page and then find the recording, rather than just learning it from the recording.
I think this music is really meant to be listened to so that you can download those sounds and know how to make them on these instruments.
About the instructor

Youngblood Brass Band fusionne les cuivres sans concession de La Nouvelle-Orléans avec l'énergie et le lyrisme du hip-hop. Issu de Madison, Brooklyn, Minneapolis et Chicago, ce groupe de dix musiciens tourne dans le monde entier depuis 2000 et a collaboré avec des artistes tels que Questlove et Talib Kweli. Il est tout aussi à l'aise à mener une fanfare sur ses propres compositions qu'à faire la tête d'affiche d'un festival de punk. Sur MusicGurus, ils décomposent leur son mêlant La Nouvelle-Orléans et hip-hop : comment ils composent et arrangent pour les cuivres, le vocabulaire rythmique et harmonique qui relie le tout, et comment jouer une ligne de cuivre au sein d'une section soudée, y compris les parties complètes de leur morceau 'Brooklyn'. read more




