Accords roulés
Lesson time: (10min 40sec)
Paddy explique comment les accords roulés peuvent enrichir un boogie, et décompose la technique nécessaire pour les jouer avec fluidité
Course preview
This lesson is part of the course Joue du piano boogie-woogie authentique
Watch a preview of the full course below.
Lesson transcript:
Rolling Chords in Piano
Let's look at just some rolling chords.
Concept Overview:
- Can be very useful.
- This is a Jimmy Yancey style thing: very simple, just outlining the C6 chord.
Technique:
- Sliding off the D# (E flat), going via the D.
- When it goes to the F7, slide off the D again.
This rolling technique can be used with:
- Thirds
- Sixths
Example
For example, you could do something like:
- There's the rolling thing.
- There's the thirds with a couple.
- There's an octave thrown in as a linking note.
You could go down to those thirds.
Minor Tonality
Playing with that minor tonality fits with the F7.
- Those sixths to the thirds.
Rhythmic Variations
How about exploring the rhythms?
- You could play around with phrasing like that.
- Or you could play around with where that actual pattern is placed.
Alternative Approach
Let me try another 12-bar exercise to demonstrate different sounds.
- I'm adding loads of other little ideas from thirds and sixths, incorporating extra ideas.
- This helps mitigate that slightly strange syncopation when it starts on, like, the fourth beat.
Roll and Rhythm
Let's analyze that roll further.
- It doesn't always have to start on beat one or three of the bar.
For instance:
- The first time could start on beats one and four rather than just at the beginning.
Creating Tension and Release
By manipulating the phrasing rhythm, you can create tension and release, which adds excitement to the music.
Contextual Rolling Ideas
Let's look at some rolling ideas in different contexts.
- I often use the rolling idea or break a chord down into an arpeggio over various harmonies.
Harmonic Progression Example:
- C to D minor
- D# diminished to E7
- F to A
- G minor to G# diminished
- F7
Cascading Effect
Something fun I do is to come down from the five:
- This can be based on sixths moving all the way down, creating a cascading, waterfall-like effect.
You can also play this as a simpler arrangement.
Practical Application
Now, how might you use this:
- Use the rolling idea at the end of a chorus.
- For example, you might come down, then go back up.
Linking Ideas
In context, coming down from the V chord into the next chorus, listen for how I link those two riff ideas together using thirds, sixths, and a few linking notes.
Technique for Rolling Piano Parts
Let's look at the technique behind those rolls.
- It may seem involved, but at the base of it, there's nothing crazy going on.
Basic Practice Suggestions:
- Practice at the fastest tempo you're comfortable with.
- Stay in one hand position to build comfort.
- Use a metronome for guidance.
- Gradually increase the tempo until comfortable, and then change the hand position.
I'm confident that before long, you will be able to execute these rolls at faster tempos!
About the instructor

Paddy Milner est reconnu comme l'un des meilleurs pianistes de blues au monde : il est actuellement le claviériste attitré de Sir Tom Jones, après plusieurs années aux côtés du grand et regretté Jack Bruce, mais c'est aussi un superbe auteur-compositeur original et un chanteur au timbre singulier. Il suffit de lire les éloges de personnalités comme Dave Brubeck ci-dessous ! Son jeu figure sur la bande originale du film à succès 'Rocketman' (2019). Il a remporté à deux reprises le prix du Meilleur claviériste aux British Blues Awards et occupe de longue date une résidence en tant que membre fondateur du Ronnie Scott's Blues Explosion au club mondialement réputé Ronnie Scott's. Son groupe actuel LONDONOLA joue une musique britannique maison teintée d'une bonne dose d'esprit de La Nouvelle-Orléans, et son projet collectif JAWBONE va de succès en succès depuis la sortie de son premier album éponyme. « J'adore... voilà un gars qui sait vraiment jouer du piano » - Dave Brubeck « Je le recommande vivement. D'une certaine manière, tout se met à aller beaucoup mieux ! » - Jack Bruce « Le meilleur pianiste de blues d'Europe... » - Blues Access, USA « Impressionnant et original » - The Times « Éblouissant » - The Independent Au fil de ses cours, Paddy décortique l'authentique shuffle de blues, le slow blues, le boogie-woogie, le rock 'n' roll et le piano de La Nouvelle-Orléans - jusqu'à trois grands classiques du boogie-woogie - pour que vous appreniez ces styles auprès de l'un des tout meilleurs du métier. read more




