Umbra Bella (Décryptage)
Lesson time: (4min 14sec)
Talia Girton parcourt le morceau de Grade 1 Umbra Bella, en abordant les tierces et quartes de la main gauche, la mélodie répétée de la main droite et sa tonalité de F majeur.
Course preview
This lesson is part of the course Les fondamentaux du piano : harmonie et interprétation
Watch a preview of the full course below.
Lesson transcript:
Final Piece: Umbra Brella
Congratulations! We're on the last piece of the course.
Overview
The next piece is a Grade 1 Rock School level song called Umbra Brella.
Left Hand
- The left hand consists of:
- Thirds and fourths played as whole notes.
Right Hand
- The right hand features:
- A melody that repeats itself twice throughout the piece.
- A return in Bar 20 with a slightly different ending.
Key Signature
- This piece is in the key of F major, which means that:
- Every time you see a B, you need to play it as a B flat.
Technical Aspects
There's a fun new technical bit in this piece:
Spread Chord
- Found in Bar 25.
- Think of it as an extended broken chord.
- Practice Tip: Start slowly and build your tempo as you gain confidence.
- The spread chord is represented with a squiggly line from the treble clef down to the bass clef notes.
Accidentals
- You'll notice many accidentals throughout the piece:
- Accidentals refer to sharps and flats outside the key signature.
- In F major, anything that's not a B flat is considered.
- The most common accidental starting from the first bar is C.
- Later, you will encounter E flat (EB) and what's called a natural symbol in Bar 19.
- This symbol indicates that the accidental you played before (sharp or flat) will no longer be sharp or flat.
Finger Stretches
- Pay careful attention to the last line, which includes:
- Some big stretches for your fingers through an octave and even more.
- Consider what fingers you use on each of these notes to ensure you can easily reach the higher pitches.
Practice Count
Let's have a look at what this sounds like.
I'll count to four:
- 2. 3. 4.
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-
-
-
- Four.
-
-
-
- FOUR.
-
-
-
- four.
-
-
-
- FOUR.
-
-
- three. four.
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- Three. four.
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- three. Four.
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- Three. Four.
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- three. 4.
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- Three. FOUR.
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- Three. FOUR.
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- Three. FOUR.
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- Three. FOU.
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- Three. 4.
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- three. FOUR.
- One. two. three. four.
- One. two. three. four.
- One. two. three. three. four.
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- two. three. FOUR.
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- two. three. four.
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- Two. Three. FOUR.
-
- two. Three. FOUR.
-
- two. three. FOUR.
-
- two. three. Four.
-
- two. Three. FOUR.
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- two. three. FOUR. FOUR.
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- two. Three. FOUR. FOUR.
Happy playing!
About the instructor

Talia Girton est musicienne et musicothérapeute agréée par le HCPC, et fondatrice de The Cycling Music Teachers. Son travail réunit la musicothérapie, l'accompagnement et l'éducation, et elle enseigne à l'international dans le cadre de la formation en musicothérapie de l'UDELAS au Panama, tout en contribuant au développement professionnel avec l'European Piano Teachers Association (EPTA). Sur MusicGurus, elle enseigne les cours Piano Method et Piano Foundations, guidant les débutants complets depuis les premiers pas à travers le rythme, les deux mains, la théorie et l'interprétation. read more




