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Lesson time: (2min 35sec)
This lesson is part of the course Les fondamentaux du piano : harmonie et interprétation
Watch this lesson for free below.
Lesson transcript:
Music is often arranged in families of notes called keys or key signatures. So far, we've been working in the key of C major, which means that we have all white keys. Different key signatures will have sharps or flats.
For example, in the key of G major, instead of having an F, there is an F sharp. This is the key that we're going to be working on now.
You'll recognize that a key is in G major when you see an F written next to the treble clef and the bass clef at the start of every line of music.
Unfortunately, you won't see an F sharp next to every F to remind you to play it that way. You'll just have to remember that anytime there's an F in the piece, you need to play it as F sharp.
Every key signature has a scale that goes along with it. The key of G major has a G major scale that would look like this:
Now, let's have a look at ledger lines, which you've already encountered in your previous pieces.
For example, middle C, the first note that you learned, is located on a ledger line right below the stave.
If you look at the graphic, you'll probably recognize middle C as the third note. Working backwards:
You can work backwards and also in the opposite direction.
On the graphic you see here:
You can count up or down to ledger lines by:
With these tools, you'll be better equipped to navigate your music pieces!

Talia Girton est musicienne et musicothérapeute agréée par le HCPC, et fondatrice de The Cycling Music Teachers. Son travail réunit la musicothérapie, l'accompagnement et l'éducation, et elle enseigne à l'international dans le cadre de la formation en musicothérapie de l'UDELAS au Panama, tout en contribuant au développement professionnel avec l'European Piano Teachers Association (EPTA). Sur MusicGurus, elle enseigne les cours Piano Method et Piano Foundations, guidant les débutants complets depuis les premiers pas à travers le rythme, les deux mains, la théorie et l'interprétation. read more