La mélodie de la main droite de la section 'A'
Lesson time: (5min 13sec)
Tom Seals décompose la mélodie de la main droite de la section A de 'Don't Get Around Much Anymore' de Duke Ellington au piano swing.
Course preview
This lesson is part of the course Apprends des standards de swing au piano avec Tom Seals
Watch a preview of the full course below.
Lesson transcript:
Don't Get Around Much Anymore - Music Lesson
This tune is Don't Get Around Much Anymore, the Duke Ellington standard. My grandad's big band used to play this song, and it's been in my set forever now. I've been so lucky over the past few years to have played with some incredible people.
Most recently, off the back of my Sky TV show, Anton Du Beke, Strictly Come Dancing judge, joined me on stage and sang this song with me. So, it's been a very special song to me. Like I say, my grandad's band used to play it, and now it's in my set. I sang it at Ronnie Scott's with some incredible people.
Introduction to the Tune
Anyway, I can't wait to teach you this tune. It's called Don't Get Around Much Anymore. It's got so many places you can go with it. One of my favorite things about it is the chromatic line in the middle, which replicates the horn section of a big band. It can be as simple or as complicated as you want it to be.
A Section - Vocal Line
Let's get stuck into it. We're going to start right at the top with the A section, the vocal line.
Lyrics Breakdown
- The line is: Missed the Saturday Dance
Notes for the Line
- The notes are as follows:
- E, D, C (5, 4, 3 in terms of fingers)
- Followed by: E, D, C, G, F, E
Finger Pattern
- Get that into your fingers: Five, four, three.
- Then: Three, two, one.
So it sounds like:
Ba ba doo da da da
- Then it does it again with the second line:
Missed the Saturday Dance.
Heard they crowded the floor
(Exactly the same line, repeat twice)
Next Lines
-
The next line: Couldn't bear it without you
- Notes: G, F, E, D, C (all the way down)
-
Singing along helps with the melody:
Couldn't bear it without you
ba ba da ba da
Jumping Octaves
Then we're going to jump up an octave.
- From our thumb on C to our little finger on C:
- Notes: G, F, E, D, C, C, A
- With the last line.
Entire A Section Rhythm
From the top (1, 2):
- E, D, C, G, F, E
- The line (if you like singing along in your head):
Missed the Saturday Dance
Heard they crowded the floor
Couldn't bear it without you
Chromatic Section
Now it gets nice with a few jazzy chromatics:
- E, F, F sharp, G, C, E flat, E, C
Repetition:
Don't get around much anymore
- Again: E, F, F sharp, G, C, E flat, E, C
Finger Placement for Chromatics
- Third finger on E
- Fourth finger on F
- Fourth finger up to F sharp
- Little finger on G
- Thumb on C
- Third finger on E flat
- Third finger down to E
- Thumb on C
Tempo
At tempo, that's:
Don't get around much anymore
Complete A Section
So, the whole A section:
Missed the Saturday dance.
Missed the Saturday dance.
- Again (1, 2, 3, 4):
One miss.
And that's the A section, the right hand complete.
About the instructor

Le titre de Piano Man du Royaume-Uni a longtemps été détenu par Elton John, Jools Holland et Jamie Cullum. Au cours des cinq dernières décennies, personne d'autre ne s'en est même approché... jusqu'à aujourd'hui ! Tout juste sorti de sa tournée à guichets fermés "Let The Good Times Roll", Tom Seals - "tout simplement peut-être l'avenir du jazz et du blues" - tient le monde au bout des doigts. Son jeu de soliste virtuose, son excellent sens de l'improvisation et sa voix singulière ont conduit de grandes figures de l'industrie à le saluer comme le meilleur pianiste et chanteur de boogie woogie et de blues du Royaume-Uni. À peine âgé de vingt-cinq ans, Seals a déjà donné des concerts à guichets fermés aux quatre coins du globe, dont le légendaire Ronnie Scott's de Londres, une performance éblouissante au Birdland Jazz Club de Broadway à New York, et des collaborations avec Jools Holland. Apparitions notables : 'Gregory Porter & Friends' du Cheltenham Jazz Festival 'Boogie Woogie & Blues Spectacular' de Jools Holland Birdland Jazz Club, New York British Summer Time - Hyde Park Ronnie Scott's Jazz Club Gisburne Park Pop-Up Montreux Jazz Festival Cropredy Festival The Steinway Two Pianos Festival Glastonbury Newark Showground "Drive-In" Blenheim Palace Dans son cours, Tom dévoile les secrets de son jeu - en vous montrant comment faire swinguer les standards au piano, construire d'authentiques lignes de boogie woogie et de blues, et trouver la liberté d'improviser - pour que vous deveniez à votre tour l'ultime Piano Man. Vous pouvez lire la biographie complète de Tom sur www.tomseals.co.uk. read more




