Young Thing : apprentissage

Chet Atkins
Chet Atkins

Lesson time: (6min 17sec)

Chet Atkins enseigne ‘Young Thing’, un morceau en fingerstyle qu’il a écrit pour son collègue guitariste Bill Young, bâti sur une basse boogie-woogie.

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This lesson is part of the course La guitare de Chet Atkins
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Lesson transcript:

Young Thing - A Tribute to Bill Young

That was Young Thing. I wrote that for a finger picker over in North Carolina. His name was Bill Young, and he got the dreaded disease ALS (Lou Gehrig's disease). I played that tune for him before he died, and he loved it.

Inspiration Behind the Title

I called it Young Thing for Bill Young. It's difficult to play. I don't know why I keep writing these things that are too difficult for me to play. But anyway, I just play a boogie woogie bass.

Playing Techniques

  • While I'm doing that, I make like a piano player and play C9.
  • Once in a while, I do that; I think I leave out a bass note when I do, but it's effective.

Making It Work

This is a little difficult here. Someday, I'll make up another lick that'll be easier, but right now, I don't know what.

Then we go to the bridge, which I like the voicing on.

"I like that."

And then we play with a bass line. It's difficult, but you can do it. If I can do it, anybody can do it. Maybe you can make up some better licks of your own, you know.

Transitioning Licks

After that, I play. I can't play it down here, so I have to adjust. And then we do a little thing like in Pine Tops Boogie to give it a little relief and get out of the blues mode medium for a minute.

  • It's a pickup note and one all the time.
  • You keep that finger anchored.

A little Jerry Reed there.

Revisiting the Bridge

And then what comes next? Yeah, and then the bridge again.

"Young thing, a young thing."

Then back to the chorus. See how you do that with a little finger? The Jerry Reed thing again.

Concluding Thoughts

And then, let's see, it's an augmented chord. I usually play that fast, like I heard Pat Donahue play a tune like that. And who else? Someone else, Brad Jones. So I made up my own because I liked it.

Then I listened to theirs again, and mine was not like theirs. I was happy about that, so hope you like it!

About the instructor

Chet Atkins
Chet Atkins

Surnommé « Mr. Guitar », Chet Atkins est l'instrumentiste soliste le plus enregistré de l'histoire de la musique. Son jeu de picking caractéristique s'inspire de Merle Travis, avec pour autres influences majeures Django Reinhardt, George Barnes, Les Paul et, plus tard, Jerry Reed. Ce jeu de picking et cette musicalité si reconnaissables lui ont valu des admirateurs au sein de la scène country et bien au-delà, aux États-Unis comme à l'international. Comme musicien de studio, son jeu a enrichi les disques d'Elvis Presley, Kitty Wells, The Everly Brothers, Hank Williams et des dizaines d'autres légendes de Nashville. Son style a fini par influencer de grands noms de la pop tels que Mark Knopfler, Duane Eddy, George Harrison, The Ventures, George Benson et Eddie Cochran, ainsi que des milliers de guitaristes country. Il a remporté neuf CMA Awards de Musician of the Year, quatre distinctions au sondage jazz de Playboy et treize Grammys. Avec plus de 35 millions d'exemplaires vendus de ses plus de 75 albums originaux, Atkins a également reçu le Grammy Lifetime Achievement Award. Il a contribué à créer le Nashville sound, un style de musique country qui devait presque autant à la pop qu'aux honky tonks — et sans lui, la country n'aurait peut-être jamais fait son entrée dans les charts pop dans les années 50 et 60. Apprends du maître : il te suffit de cliquer sur l'un des cours de cette page ! read more

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19 lessons (1h 24m)
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