Bye Bye Blackbrid - Enseignement

Chet Atkins
Chet Atkins

Lesson time: (6min 33sec)

Chet Atkins enseigne son arrangement de guitare en fingerstyle de Bye Bye Blackbird, en passant en revue ses accords de substitution et la régularité rythmique dont le morceau a besoin.

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This lesson is part of the course La guitare de Chet Atkins
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Lesson transcript:

Bye Bye Blackbeard Music Lesson

"One of my favorite tunes ever written."

In this lesson, I'll highlight some of the techniques and chords I use in the song "Bye Bye Blackbeard."

Chords and Timing

  • Substitute Chords: I like to incorporate substitute chords.

    • You can play it faster too, which I usually do. However, I want you to learn this arrangement and spread it around, so I'll play it slower.
  • Steady Timing: Time is so important. Keep steady time.

    • If you have a problem with that, use a metronome set to click like "1 and 2 and Tat Tat tat."
    • When I'm recording on a slow tune, I'll have the metronome play in 16th notes.

Chord Progressions

  • Starting with:

    • G sus to F 13 (with a G in the bass).
    • C (with a G in the bass).
    • F sharp diminished.
  • Move to:

    • B flat (with a D in the bass).
      • I love that harmony!
  • Transition to:

    • F diminished to C (with a G in the bass).
    • B flat with an A flat in the bass.
      • Notice how nicely it resolves to an A flat.
    • Then, I think I went to a B flat, and sometimes I go to an A flat.

Improvisation

  • "Blackbird, bye-bye."

    • Play the scale starting on the upbeat, it works out nicely.
    • I will do that again, even though I have trouble playing it every time.
  • You don't have to execute exactly what I did; you could play your own arrangements.

  • "What tune am I playing?"

    • In this portion, I just improvise the melody while playing rhythm. It's simple, but effective.

Final Thoughts

  • "Bye bye, bye, bye."

    • Then I go down to a C with a 3 in D minor.
    • Followed by D minor again, A augmented, B flat, E, A, and then A flat.
  • I throw a little Beatles "Blackbird" on the end.

    "Blackbird, bye."

If you're having trouble seeing what I did, back it up and watch it again. It's hard for me to explain!

About the instructor

Chet Atkins
Chet Atkins

Surnommé « Mr. Guitar », Chet Atkins est l'instrumentiste soliste le plus enregistré de l'histoire de la musique. Son jeu de picking caractéristique s'inspire de Merle Travis, avec pour autres influences majeures Django Reinhardt, George Barnes, Les Paul et, plus tard, Jerry Reed. Ce jeu de picking et cette musicalité si reconnaissables lui ont valu des admirateurs au sein de la scène country et bien au-delà, aux États-Unis comme à l'international. Comme musicien de studio, son jeu a enrichi les disques d'Elvis Presley, Kitty Wells, The Everly Brothers, Hank Williams et des dizaines d'autres légendes de Nashville. Son style a fini par influencer de grands noms de la pop tels que Mark Knopfler, Duane Eddy, George Harrison, The Ventures, George Benson et Eddie Cochran, ainsi que des milliers de guitaristes country. Il a remporté neuf CMA Awards de Musician of the Year, quatre distinctions au sondage jazz de Playboy et treize Grammys. Avec plus de 35 millions d'exemplaires vendus de ses plus de 75 albums originaux, Atkins a également reçu le Grammy Lifetime Achievement Award. Il a contribué à créer le Nashville sound, un style de musique country qui devait presque autant à la pop qu'aux honky tonks — et sans lui, la country n'aurait peut-être jamais fait son entrée dans les charts pop dans les années 50 et 60. Apprends du maître : il te suffit de cliquer sur l'un des cours de cette page ! read more

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