Wooden Horses

Avec
Laurence JuberDans cette leçon, Laurence Juber t'apprend à jouer son morceau Wooden Horses à la guitare acoustique.
Le contenu du cours
14 leçons (1h 33min) · 1 gratuites
01. Enough Is Never Enough
8:12

02. Guitar Noir
5:34

03. The Crow's Nest
Leçon gratuite5:15

04. Maple Avenue Strut
9:05

05. The Ornament Waltz
10:38

06. Rufus
7:19

07. Highway 17
8:38

08. Being Here With You
4:51

09. Wooden Horses
Tu es ici7:42

10. Double Agent
7:01

11. Shebeg & Shemore
4:44

12. Around The Block
6:39

13. Portobello Road
6:28

14. Dernières réflexions
1:03
Transcription de la leçon
Wooden Horses: A Ragtime Tune
Overview: "Wooden Horses" is a ragtime tune in standard tuning, primarily in C major. However, it incorporates numerous key changes and has a delightful carousel flavor.
Opening Phrase
Before diving into the main sections, there's a little opening phrase.
- The breakdown is pretty straightforward. Just watch out for:
- A wide stretch.
- The movement of a C shape up the neck.
This section repeats seamlessly.
Last Phrase
In the last phrase, I'm bouncing off the open strings. Then, I transition to:
- E flat (measure 16)
- C minor
- D flat
- B flat minor to A flat in C minor
Next, I follow with a chromatic rundown using diminished seventh chords and return back to the beginning.
Review Section
Let's review that sequence one more time:
- E flat to B flat 7 chord
- F minor to A
- G over B
- C minor to D
Then, moving up:
- A
- B flat
- E flat again
- D flat
Now, pay attention to this transition:
- B flat minor chord
- The next bass note is the open A
After this, we continue with a repeat of the previous section.
Next Section
At measure 34, I'm changing keys to F sharp minor:
- F sharp
- A
- C sharp 7 (sharp 9 and flat 9). The open E on top gives you the sharp nine.
Then the progression continues:
- G sharp minor
- G sharp
- G minor
- F sharp minor
- B augmented
Now, I'm moving into the key of E to keep things interesting.
Transition and Tricks
This section can get a little tricky:
- I've got G sharp and G natural.
- Moving to the A chord involves shifting the whole shape back a fret and then up again.
Also, on F sharp in measure 48, it's a bit challenging. Then on B, I repeat:
- Here in measure 50:
- F sharp minor 7 flat 5
- B 13 to a B 9 on the bottom four strings
- Then shift to E6
You might recall that I've used the E6 shape in "Maple Avenue Strap" too.
Coda
Finally, as we return to the main tune, we head into the coda. Let's emphasize this again.
- Measure 56:
- Sliding down here and using the right hand to grab the sixth and fourth string to slide up and finish the tune.
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Laurence Juber s'est d'abord fait connaître comme guitariste principal des Wings, le groupe de Paul McCartney. Depuis, il a bâti une carrière de guitariste fingerstyle, compositeur et arrangeur, travaillant essentiellement en accordage DADGAD, ce qui lui a valu le surnom de 'the Duke of DADGAD'.
Élu Guitariste de l'année par les lecteurs de Fingerstyle Guitar Magazine et cité parmi les meilleurs guitaristes par le magazine Acoustic Guitar, il affiche aussi une longue liste d'albums solo et de tournées à travers le monde.
Dans ses cours, il enseigne sa technique fingerstyle et l'accordage DADGAD qui l'a rendu célèbre, comment agencer mélodie, harmonie et basse pour la guitare solo, et les morceaux - comme sa pièce phare 'Wooden Horses' - qui réunissent le tout.












