Around The Block

Avec
Laurence JuberLaurence Juber décortique son morceau en fingerstyle 'Around the Block' en accordage standard, en travaillant le lick d'introduction, la section B et les voicings étirés du refrain.
Le contenu du cours
14 leçons (1h 33min) · 1 gratuites
01. Enough Is Never Enough
8:12

02. Guitar Noir
5:34

03. The Crow's Nest
Leçon gratuite5:15

04. Maple Avenue Strut
9:05

05. The Ornament Waltz
10:38

06. Rufus
7:19

07. Highway 17
8:38

08. Being Here With You
4:51

09. Wooden Horses
7:42

10. Double Agent
7:01

11. Shebeg & Shemore
4:44

12. Around The Block
Tu es ici6:39

13. Portobello Road
6:28

14. Dernières réflexions
1:03
Transcription de la leçon
Music Lesson: "So Around the Block" in Standard Tuning
"So Around the Block" in standard tuning has a few little quirks to it. You can see that with the opening lick, as I've spread the melody out over the strings.
Opening Lick
- Rather than doing it in one position, I play a brush on the back beats on beat two.
- That's the main thing.
B Section
The second time that plays, it goes into the B section, which starts at measure 12.
It's a little tricky, so let me get it right this time.
- On the E minor, I'm sticking around that position.
- Then, in measure 24, you get that C shape with the open string on top, giving you an F sharp 7 and then an F major 7.
- Finally, it goes back to the theme.
This time it doesn't repeat; it goes to what I would call the chorus.
Chorus
Let me play that again starting from measure 37:
- It starts with a C sharp minor 7 flat 5 to a C6.
- Be careful as you need to stretch a little bit with this one.
- Then, move to an F sharp seven over A sharp and then to a C seven.
Notice how I'm voicing that C seven, and then the B flat seven sus four is like that.
Next Section
Now, going into the next section starting at measure 45:
- I'm moving from a C minor to an E minor to an F sharp diminished.
- This bit is tricky; it includes a C over E with an added D on top.
Let me go over that section again:
- I'll do that again.
After that, it's back to the main theme and the chorus. Then, you're going to go back to the sign, which brings you back to the B section.
Coda Section
As the tune progresses with the repeats, you'll end up in the coda section:
- Starting at measure 77, coming out of that, you enter the chorus, or, not the chorus, the verse.
- This section will do its repeat into the chorus section.
Then again. After that, we have a sort of extension to finish things up.
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Laurence Juber s'est d'abord fait connaître comme guitariste principal des Wings, le groupe de Paul McCartney. Depuis, il a bâti une carrière de guitariste fingerstyle, compositeur et arrangeur, travaillant essentiellement en accordage DADGAD, ce qui lui a valu le surnom de 'the Duke of DADGAD'.
Élu Guitariste de l'année par les lecteurs de Fingerstyle Guitar Magazine et cité parmi les meilleurs guitaristes par le magazine Acoustic Guitar, il affiche aussi une longue liste d'albums solo et de tournées à travers le monde.
Dans ses cours, il enseigne sa technique fingerstyle et l'accordage DADGAD qui l'a rendu célèbre, comment agencer mélodie, harmonie et basse pour la guitare solo, et les morceaux - comme sa pièce phare 'Wooden Horses' - qui réunissent le tout.












