Feel en triolets
Lesson time: (2min 53sec)
Mike Lovatt montre comment le swing se résume à jouer tes croches avec un feel en triolets, et comment se caler dans le groove du batteur.
Course preview
This lesson is part of the course Joue du swing authentique à la trompette
Watch a preview of the full course below.
Lesson transcript:
Unlocking the Swing Secret in Jazz
Okay, so now we're going to unlock that secret that we all have as jazz players regarding what swing is and how we play it, how we sound like that. We know how to swing, and this all comes down to the quavers we play.
Understanding Quavers
Quavers, which you are probably used to playing, even as in classical music, sound quite different when played with a swing feel.
Demonstration: Classical vs. Swing
Let me give you a demonstration. I will play the last phrase in the piece as though it's a classical piece of music with even quavers.
As you can hear, it sounds completely different than the performance I gave earlier.
Making Quavers Swing
So, how do we make our quavers swing?
We think along a triplet feel.
What is a Triplet?
Now, you may not know what a triplet is, so let me demonstrate:
- I will clap a triplet rhythm and count as well.
- Here's how to count a triplet:
- "1 under, 2 under, 3 under, 4 under"
- "1 under, 2 under, 3 under, 4 under."
In this way, the four beats in the bar are divided into three notes. Each beat is divided into three notes.
Swinging Quavers
Now, the jazz quavers pick up on that triplet rhythm.
- We go: 1, 2, 3, 1, 2, 3, 1-2-3.
- Listen: Dee Dee Dee dee dee dee dee dee dee dee dee dee.
That is how we make it swing.
Listening to the Drummer
To get the sound of the swing quavers, one of the things I do when I'm playing is listen to the drummer. Pay attention to the way they're playing the triplet feel with the swing quavers.
In the backing track to the recording you heard earlier, the drummer is playing the swing quavers, the triplet feel on the cymbal.
Practice Together
If you found that hard to hear, let's try a little practice. How about I play a phrase, and you repeat after me?
About the instructor

Mike Lovatt a étudié au Trinity College of Music, où il a reçu la Jon Kelly Jazz Scholarship. Il s'est produit et a enregistré dans une immense variété de styles avec des artistes tels que Quincy Jones, Robbie Williams, Eric Clapton, l'Orchestra of the Royal Opera House Covent Garden, le Royal Philharmonic Orchestra, Michael Buble, Oasis, Michel Legrand, Tony Bennett, Shirley Bassey et Danny Elfman, parmi bien d'autres. En tant que trompette solo dans le West End de Londres, Mike s'est produit dans Jesus Christ Superstar, Evita, The Producers, Billy Elliot, Guys and Dolls, Saturday Night Fever, My Fair Lady et Spamalot, entre autres. Il a joué sur des bandes originales de films dont les James Bond, Harry Potter avec le London Symphony Orchestra, le film primé Chicago, Beyond the Sea de Kevin Spacey, Charlie and the Chocolate Factory, Madagascar et The Corpse Bride. On l'entend à la trompette et au cornet dans Mrs Henderson Presents de George Fenton, et à la trompette dans Looking for Eric. Mike est trompette solo du John Wilson Orchestra, nommé aux Grammy, et a été mis en avant dans leurs célèbres concerts et enregistrements des BBC Promenade. Mike est très demandé comme professeur et clinicien, et il est professeur de trompette à la Royal Academy of Music et au Royal College of Music. En avril 2013, il a eu la fierté de se voir décerner la prestigieuse Derek Watkins' Chair of Trumpet à la Royal Academy of Music de Londres. Dans ses cours MusicGurus, Mike partage les secrets de sa polyvalence, te montrant comment maîtriser les styles authentiques de trompette swing, rock et latino afin que tu puisses jouer chacun d'eux avec assurance et le bon feeling. read more




