Le coup de langue

Mike Lovatt
Mike Lovatt

Lesson time: (3min 12sec)

Mike Lovatt montre comment le coup de langue — un son 'doo' net — donne à l'arpège d'ouverture de Mi mineur plus d'élan et de mouvement que de le jouer legato.

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This lesson is part of the course Joue du swing authentique à la trompette
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Lesson transcript:

Music Lesson: E Minor Arpeggio Technique

This piece starts with an arpeggio in the key of E minor. The third beat, having the short note there, gives us a fantastic landing point for that arpeggio.

Technique Overview

The technique of playing that arpeggio that I'm using is tonguing. There is a slur mark or a phrase mark over the top of it. However, if you play it completely legato, it doesn't quite sail as much, it doesn't quite travel as far.

Listen and Compare

  • Legato: Have a listen to me play it completely legato.
  • Tonguing Technique: Now I'll play it using the technique I use, which is tonguing.

A while back, I mentioned using a pattern like this:
D, D, D, D, D, D, D, D, D, D.
You can try saying that:
Do, do, do, do, do.
Now try playing it like that after me.

Air Support

Using the air behind the tongue helps to go up that octave and up the arpeggio. When we practice arpeggios, we can use the air and a slight push of air to help with that arpeggio.

E Minor Arpeggio Practice

Here's the E minor arpeggio, using a bit more air:

  • Go up to the top note.
  • Then come back down again.

We can take the foot off the gas a bit.

Understanding Air Speed

When we go higher on the trumpet, we need to think about the speed of air. Many people believe that as we go higher, we need more air. That's not entirely true.

  • As we go higher, we need to get the air faster.

If I speed up the air, I tend to adjust my tongue position within the oral cavity.

Tongue Position Exercise

  • Think about where your tongue is when playing a middle G on the second line of the treble clef.
  • Play a middle G and see if you can feel where your tongue position is in your mouth.

I'd say it's quite low in your mouth, and that position is correct for achieving the right speed of the air.

Whistling Analogy

We want the speed of the air to be almost at the pitch of the note, as though you're whistling.

"Like, hopefully, you can hear that note in my airstream."

So as I go up that arpeggio, I'm using the air at the speed it needs to be to play that note.

If I was going to do that just with the air, without the trumpet, it would sound like this:
(Whistling sound)

See if you can replicate that. It's almost like whistling in your mouth.

About the instructor

Mike Lovatt
Mike Lovatt

Mike Lovatt a étudié au Trinity College of Music, où il a reçu la Jon Kelly Jazz Scholarship. Il s'est produit et a enregistré dans une immense variété de styles avec des artistes tels que Quincy Jones, Robbie Williams, Eric Clapton, l'Orchestra of the Royal Opera House Covent Garden, le Royal Philharmonic Orchestra, Michael Buble, Oasis, Michel Legrand, Tony Bennett, Shirley Bassey et Danny Elfman, parmi bien d'autres. En tant que trompette solo dans le West End de Londres, Mike s'est produit dans Jesus Christ Superstar, Evita, The Producers, Billy Elliot, Guys and Dolls, Saturday Night Fever, My Fair Lady et Spamalot, entre autres. Il a joué sur des bandes originales de films dont les James Bond, Harry Potter avec le London Symphony Orchestra, le film primé Chicago, Beyond the Sea de Kevin Spacey, Charlie and the Chocolate Factory, Madagascar et The Corpse Bride. On l'entend à la trompette et au cornet dans Mrs Henderson Presents de George Fenton, et à la trompette dans Looking for Eric. Mike est trompette solo du John Wilson Orchestra, nommé aux Grammy, et a été mis en avant dans leurs célèbres concerts et enregistrements des BBC Promenade. Mike est très demandé comme professeur et clinicien, et il est professeur de trompette à la Royal Academy of Music et au Royal College of Music. En avril 2013, il a eu la fierté de se voir décerner la prestigieuse Derek Watkins' Chair of Trumpet à la Royal Academy of Music de Londres. Dans ses cours MusicGurus, Mike partage les secrets de sa polyvalence, te montrant comment maîtriser les styles authentiques de trompette swing, rock et latino afin que tu puisses jouer chacun d'eux avec assurance et le bon feeling. read more

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29 lessons (1h 2m)
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