Travailler avec des éléments de synthé

Music Lesson: Working with Synth Elements

Introduction

Today, we're going to look at some synth elements in this track. I'm going to zoom out to view the synths and arpeggiators.

Overview of the Track

• Section Analysis:

  • There's quite a lot going on in this section.
  • All elements are organized in a folder, summed out to bus 12 with no processing.

• Stemming Tracks:

  • Having them in a folder is beneficial when stemming out tracks.
  • This is crucial for collaboration, as the recipient will determine how files are bounced out:
    • Stems
    • Individual files

• My Process:

  • Typically, I bounce down eight or nine stems of various groups.
  • Afterward, I'll bounce a couple of additional reverb stems.

Listening to Synth Parts

Let's play through the synth section to listen to what the synthesizers and arpeggiators are doing.

"This section gives a little ramp up into the next part of the queue."

Adding an Arturia MiniBrute 2

I'm going to add another layer using my Arturia MiniBrute 2, a new hardware analog synthesizer.

Layering Intentions

• The goal is to add a layer of intensity that is:
  • Clangy
  • Metallic
  • Organic yet very metallic

Setting Up the MiniBrute

To connect the MiniBrute to Logic, I'll go to the external instrument section:

1. Logic Utility:

   • Set to mono, as the MiniBrute is a monosynth.
   • Select MIDI channel one for input.

2. Connecting to Apollo:

   • Ensure the audio input is set to channel one on my Apollo UAD interface.

Synth Setup

I've copied down a bass line playing a dry, boomy filtered sound. I'll have the MiniBrute play the same line but with a different voice.

Synchronizing MIDI

To sync Logic's internal clock to the MiniBrute:

• Go to Preferences > MIDI Sync.
• Set Logic's MIDI clock to transmit to destination one.

"It's important to note that with multiple synths, Logic can become jumpy."

Recording the Sound

• I will record the MiniBrute's output while playing a MIDI region.
• I'll set up a new audio channel to capture the sound:
  • Input one on the Apollo.
  • Turn on record and input monitoring.

Adjusting Levels

• Ensure levels are not clipping.
• I aim to set it about six decibels below the peak.

Recording Process

• I'll turn off low latency mode and hit record.
• Focus on aligning the MIDI with the synth's tempo:
  • Use triplets for a smoother initial attack.

Final Thoughts

After recording a few takes, I'll be ready to move into audio comping in the next section, utilizing Logic's Take Folder feature.

"This extra layer from the Arturia MiniBrute adds a significant tension to the overall track."