Nous utilisons des cookies pour personnaliser le contenu, diffuser des publicités et analyser le trafic.
Lesson time: (5min 8sec)
Dov Waterman montre comment un template Logic bien organisé, avec les sons regroupés en pistes de dossier et en bus, te permet de commencer à composer rapidement au lieu de tout configurer de zéro.
This lesson is part of the course Composition dans Logic : le processus d'écriture
Watch this lesson for free below.
Lesson transcript:
As I mentioned in previous videos, you need to make use of this creative time you have.
So, what I did with this track was really come up with sound ideas first. I started with a lot of sound design elements. Here's the breakdown of my approach:
Additionally, I include:
We'll look at these elements in depth, especially my use of various virtual and outboard synthesizers as sound design tools, rather than in a pop or rock context.
Now, I'm going to quickly open my hits and impacts folder.
To recap my template:
For example, the hits and impacts track is grouped into Bus 3 in my mixer.
I've applied a compressor over the entire bit because there are quite a lot of dynamics, as you'll hear.
Now, I'm going to solo this out and play the track from start to finish, so you can hear how it sounds. Here it goes.
Just to clarify, the levels were not mastered. This is not the mastered version; I sent them an unmastered version to the production house.
However, you will get the feel of it. There's a lot of sound design intertwined with orchestral and vocal elements.
Dov Waterman est compositeur, pianiste et producteur. Il a écrit et conçu le son de films tels que After Earth, Terminator Genisys, Transformers: The Last Knight et The Snowman, et travaille comme monteur audio de bibliothèques de samples et sound designer avec des sociétés comme Native Instruments et SonoKinetic.Sa série Composition in Logic parcourt la construction d'un morceau de bout en bout dans Logic Pro — des templates et du workflow jusqu'à la synthèse et la programmation de beats, les effets MIDI, le montage et le mix final — pour les producteurs qui veulent transformer leurs idées en disques aboutis. read more
