Qu'est-ce qui fait un bon joueur de Hammond ?

Avec
Joe GlossopJoe Glossop explique ce qui distingue un bon joueur de Hammond : comprendre en quoi le rôle de l'orgue dans un groupe diffère de celui du piano ou des claviers, plutôt que de simplement transposer ce que tu sais déjà.
Le contenu du cours
24 leçons (2h 18min) · 1 gratuites
01. The Funk Brothers - How Sweet It Is (interprétation - vue clavier)
1:42

02. The Funk Brothers - How Sweet It Is
8:51

03. Marvin Gaye - What's Going On (interprétation - vue clavier)
1:54

04. Marvin Gaye - What's Going On
8:49

05. Carole King - You've Got A Friend (interprétation - vue clavier)
1:51

06. Carole King - You've Got A Friend
8:22
Transcription de la leçon
Understanding the Role of a Hammond Player
I think what makes a good Hammond player is a fundamental understanding in the difference between keyboard instruments and a Hammond organ.
The Approach Matters
It's the approach, I think, that differentiates your role in an outfit. In any kind of context, your role is usually quite different, and what you can contribute is quite different.
- You can't lift a chorus with a pad on a piano.
- You just can't add the same things.
You've got to take on a different role and understand that role. Rather than trying to recreate what you might already know on a piano or a keyboard, it's that fundamental understanding that is essential.
Who Should Learn the Hammond
Not everyone should learn to play the Hammond organ. People that really love it should. Hopefully, they're going to get the tools to truly understand the instrument, get the best out of it, and approach it in a way that utilizes all the amazing sounds you can get from this thing.
I think people sometimes don't make the most of it when they don't have that fundamental understanding. So hopefully they'll get that.
The Music Selection
All the tunes I've chosen, I chose because I love them.
- I probably have loved them for a long time.
- They're fundamental things that made me want to play, and maybe even want to play full time.
This music is very much from, I would say, the late 50s to the early 70s.
Historical Context
I mean, the Hammond, really, Jimmy Smith is the obvious kind of guy that popularized it in jazz before rock existed, you know, in the mid-50s, along with Bill Doggett and people like that before that.
But, yeah, I think this music very much is from the mid to late 50s until the early 70s sort of thing. And then synthesizers took over more and fell out of popular use.
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Joe Glossop est un claviériste de Sheffield qui s'est fait un nom à l'orgue Hammond. Il occupe actuellement le poste d'organiste dans le groupe de tournée de Tom Jones, et a joué avec Van Morrison et James Hunter, ainsi qu'au piano et au Rhodes. Ses cours permettent de tirer le véritable son Hammond de n'importe quel clavier : le réglage des drawbars, le Leslie, la basse walking à la main gauche, et le vocabulaire d'accompagnement et de solo des traditions de l'orgue soul-jazz, blues et rock, de Jimmy Smith à Booker T.





























