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Lesson time: (3min 38sec)
Pat Levett desglosa el groove de New Orleans y cómo sentirlo: ni straight ni swung, sino en algún punto intermedio.
This lesson is part of the course Batería estilo Nueva Orleans
Watch this lesson for free below.
Lesson transcript:
Hi and welcome to this series on New Orleans drumming.
This is lesson one, and we're going to start right at the beginning: the fundamentals of the rhythm of New Orleans.
Understanding the Groove: We're talking about the "in-between" groove here. It's not swung, like "Humpty Dumpty, Humpty Dumpty" rhythm. It's also not straight; it's somewhere in between. This is one of the most challenging parts of playing New Orleans music, understanding how that feels.
Listening: You can't write that down; the only way to really understand this is by listening a lot. We'll discuss some tracks to listen to later.
Swung Tone: (Doo badu, badu, badu)
Straight Tone: And straight.
In-Between Sound: (Doo badu, badu, badu)
When you say "do ba," you're sort of accenting the "ba."
Example:
You can see it's sort of in between. That's what we're after!
Sometimes you can throw in some flams and drags when you get comfortable with that. Always think of phrasing and sing rhythmic melodies, it's really important in New Orleans music.
Don't worry about sounding silly; it's part of the process!
Here are a couple of tracks you can listen to:
"Going to the Mardi Gras" by Professor Longhair:
"Don't You Just Know It" by Huey Piano Smith:
When it clicks, we can move on to lesson two.
I'll see you there!

Tras graduarse en batería por la Guildhall School of Music en 1999, Pat ha actuado y grabado con Liane Carroll, el James Taylor Quartet, Tim Minchin, los Ronnie Scott's All Stars, Zigaboo Modeliste (The Meters), Earl Thomas, Paddy Milner, el Phil Stevenson Trio, los Downtown Dukes, 24 Pesos, las Puppini Sisters, Sandi Thom y Bernard Purdie, entre otros. Ha girado ampliamente por América, Rusia, Asia y Europa, tocando en numerosas salas de prestigio, festivales y espacios de televisión y radio. Pat también toca la armónica cromática y es solista destacado en dos álbumes de Will Grove-White (Ukulele Orchestra of Great Britain). Entre sus propios proyectos figuran 'The Coalminers', dedicado a tocar funk y soul de Nueva Orleans, y 'June Afternoon', un trío de órgano con Ross Stanley y Nat Martin. En su curso New Orleans Style Drumming, Pat desgrana los grooves, el feel y el vocabulario del second line que definen el sonido de la ciudad, para que puedas encajar en un funk y un soul auténticos tras la batería. read more