The Dirge - Marcha fúnebre

Con
Pat LevettPat Levett enseña el dirge, el patrón lento y sombrío que se toca en las marchas fúnebres de Nueva Orleans: cuatro tiempos con un redoble en el cuarto tiempo, demostrado con redobles abiertos y cerrados.
Qué incluye el curso
12 lecciones (0h 53m) · 2 gratis
01. El groove y el feel de New Orleans
Lección gratis3:38

02. Pat Levett demuestra algo de batería al estilo de Nueva Orleans
Lección gratis2:34

03. Añadir un patrón de bombo
2:34

04. Batería second line
4:37

05. Rock & roll de Nueva Orleans - Fats Domino
4:53

06. The Dirge - Marcha fúnebre
Estás aquí3:24

07. The Rebirth Groove
4:04

08. Los Mardi Gras Indians
5:54

09. New Orleans Funk
7:48

10. Música zydeco
3:55

11. Allen Toussaint
5:09

12. Fill-ins e ideas creativas
5:00
Transcripción de la lección
New Orleans Drumming Course: Funeral Marches and Dirges
Hi, and welcome to another lesson within the New Orleans drumming course.
Introduction to Funeral Marches and Dirges
We're going to talk about funeral marches and something called the dirge, which is a very easy pattern to play.
Basic Pattern
There are two ways of playing the dirge:
- Straight Pattern: Four beats with a roll on beat four.
- Snares: The snares are switched off for this; however, sometimes the snares can be on as well. It's your choice.
Demonstration
Let me give you an example:
- Open Roll: I'll demonstrate one with the open roll.
- Closed Roll: Then I'll try one with the closed roll so you can hear the difference.
These demonstrate the two different styles of rolls.
Rolling Techniques
-
Open Rolls: You can roll like very open doubles. Basically, think of those triplets leading with the right hand, then putting your left hand in between, and then bouncing them all together.
-
Closed Rolls: If you want to play a very closed roll, the same principles apply. You could play it as a semiquaver or whatever suits you best.
Key Takeaways
- Spirit of the Music: It's very much about capturing the spirit of it. If you get that right, you're pretty much there.
- Leave Space: Sometimes I change it up a little bit, but again, leave as much space as you can while always thinking of those triplets in the background.
Tip: See how slow you can play it. It's far more effective the slower it's played.
Recommended Listening
There's a great clip on YouTube you can check out. There's a TV series called Treme, and there was a funeral march in that episode. Look up Closer Walk With Thee, a tune most commonly associated with the funeral march.
Interestingly, Eric Clapton played with Winton Marsalis, a New Orleans trumpet player with a fantastic band. Look up something they did together; there's a great very slow groove on that with an open roll.
Conclusion
So, explore different grooves and see what you can find! I'll see you in the next lesson.
12 lecciones
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Conoce a tu gurú

Conoce a tu gurú
Tras graduarse en batería por la Guildhall School of Music en 1999, Pat ha actuado y grabado con Liane Carroll, el James Taylor Quartet, Tim Minchin, los Ronnie Scott's All Stars, Zigaboo Modeliste (The Meters), Earl Thomas, Paddy Milner, el Phil Stevenson Trio, los Downtown Dukes, 24 Pesos, las Puppini Sisters, Sandi Thom y Bernard Purdie, entre otros.
Ha girado ampliamente por América, Rusia, Asia y Europa, tocando en numerosas salas de prestigio, festivales y espacios de televisión y radio. Pat también toca la armónica cromática y es solista destacado en dos álbumes de Will Grove-White (Ukulele Orchestra of Great Britain).
Entre sus propios proyectos figuran 'The Coalminers', dedicado a tocar funk y soul de Nueva Orleans, y 'June Afternoon', un trío de órgano con Ross Stanley y Nat Martin.
En su curso New Orleans Style Drumming, Pat desgrana los grooves, el feel y el vocabulario del second line que definen el sonido de la ciudad, para que puedas encajar en un funk y un soul auténticos tras la batería.












