Los Mardi Gras Indians

Con
Pat LevettAlgunos participantes del Carnaval en Nueva Orleans conocidos como Mardi Gras Indians se reúnen en tribus y desfilan por Nueva Orleans, entonan cantos y se enfrentan a otras tribus. Pat explica algo de historia y te da las claves para entender la música y los ritmos de los Mardi Gras Indians.
Qué incluye el curso
12 lecciones (0h 53m) · 2 gratis
01. El groove y el feel de New Orleans
Lección gratis3:38

02. Pat Levett demuestra algo de batería al estilo de Nueva Orleans
Lección gratis2:34

03. Añadir un patrón de bombo
2:34

04. Batería second line
4:37

05. Rock & roll de Nueva Orleans - Fats Domino
4:53

06. The Dirge - Marcha fúnebre
3:24

07. The Rebirth Groove
4:04

08. Los Mardi Gras Indians
Estás aquí5:54

09. New Orleans Funk
7:48

10. Música zydeco
3:55

11. Allen Toussaint
5:09

12. Fill-ins e ideas creativas
5:00
Transcripción de la lección
New Orleans Drumming Course: Mardi Gras Indians
Hi, and welcome to another lesson within the New Orleans drumming course. Today, we're going to talk about Mardi Gras Indians, a massive part of New Orleans culture that was likely even more prominent in the past.
Mardi Gras Indian Groups
- Each neighborhood typically has its own group or "gang," led by the Big Chief.
- They spend all year creating elaborate costumes.
- On St. Joseph's night, every year at midnight, they come together.
- They perform chants, play tambourines, and sing.
The Tradition of Face-offs
When they meet another gang, the two Big Chiefs will face off. In the past, these encounters could be contentious, but nowadays, there is more respect. They come together for a big meeting where they pass on the rhythms and traditions.
The Role of Music
The music for Mardi Gras Indians is vital, representing the essence of participating in this cultural tradition. Key elements include:
- Chanting: Very tribal and significant.
- Rhythmic Structure: Utilizes the first half of the clave discussed in our previous lesson (the group of three).
Tambourine in Mardi Gras Indian Music
As we've mentioned, there is a significant focus on tambourine within Mardi Gras Indian music. Here's how it comes together:
- Accent on Beat Four: Picture a large group playing together, all phrasing cohesively.
- Chants: The community might chant, "Hey, Paki way too," followed by the Big Chief responding with "Two way, pake" in a call-and-response format.
- This interaction continues for an extended period.
Playing Techniques
When playing the tambourine:
- Hand Movement: Rotate your right hand to the top and bottom of your left hand, removing it for an accent.
- Variations: There are countless ways to play, some may emphasize beat four on the second bar.
- Instruments: You can also incorporate the floor tom and cowbell, which are commonly used, creating a menacing, tribal sound.
Inverted Tambourine Technique
Another technique includes playing the tambourine inverted against the floor tom when the heads are touching.
Conclusion
This lesson serves as an introduction to the Mardi Gras Indian tradition. It's essential to focus on that clave (the group of three) played on the cowbell and floor tom, often accompanied by the tambourine.
Tip: Get a good tambourine, as mastering its sound can be tricky, but don't get discouraged! Keep practicing, and I look forward to seeing you in the next lesson.
12 lecciones
0h 53m de lecciones en vídeo estructuradas
Funciones de vídeo avanzadas
Ralentiza, repite un pasaje, sigue la partitura
Móvil, tablet y ordenador
Practica donde quieras
Garantía de satisfacción 100%
30 días de garantía de devolución
Conoce a tu gurú

Conoce a tu gurú
Tras graduarse en batería por la Guildhall School of Music en 1999, Pat ha actuado y grabado con Liane Carroll, el James Taylor Quartet, Tim Minchin, los Ronnie Scott's All Stars, Zigaboo Modeliste (The Meters), Earl Thomas, Paddy Milner, el Phil Stevenson Trio, los Downtown Dukes, 24 Pesos, las Puppini Sisters, Sandi Thom y Bernard Purdie, entre otros.
Ha girado ampliamente por América, Rusia, Asia y Europa, tocando en numerosas salas de prestigio, festivales y espacios de televisión y radio. Pat también toca la armónica cromática y es solista destacado en dos álbumes de Will Grove-White (Ukulele Orchestra of Great Britain).
Entre sus propios proyectos figuran 'The Coalminers', dedicado a tocar funk y soul de Nueva Orleans, y 'June Afternoon', un trío de órgano con Ross Stanley y Nat Martin.
En su curso New Orleans Style Drumming, Pat desgrana los grooves, el feel y el vocabulario del second line que definen el sonido de la ciudad, para que puedas encajar en un funk y un soul auténticos tras la batería.












