Batería second line
Lesson time: (4min 37sec)
Pat Levett desglosa la batería second line de Nueva Orleans: la frase de caja que la arranca, la combinación de bombo y platillo y los adornos de caja.
Course preview
This lesson is part of the course Batería estilo Nueva Orleans
Watch a preview of the full course below.
Lesson transcript:
Snare Drum Techniques and Embellishments
To kick off a second line, the snare drummer plays a phrase that sounds a bit like this. You can download this on the PDF.
When the whole band hears that phrase, they're off and ready. You'll hear that the bass drum and the cymbals come in on the last part of that phrase.
Emulating the Sound
I came up with the idea of playing the bass drum and the cymbal together to emulate that sound.
- The hands will play this rhythm.
- The bass drum, our lead instrument, will play over that.
You may notice that sometimes I'm putting a roll with my left hand, which contributes to the overall sound.
Alternate Playing Methods
I understand that many people might not have this as part of their setup.
Here are some alternatives:
- You can play it on a ride cymbal.
- You can also use your hi-hats and splash them.
So, I can play the same phrase, same exercise, but just using these hi-hats instead.
Listen closely to the difference.
Snare Drum Embellishments
There are many embellishments you can do on the snare drum, lots and lots of different ones.
For example:
- Traditional Jazz Idea: The left hand just bouncing on the hands. You can add the bass drum to that.
- Rolling Technique: This might be used more as a fill rather than a regular pattern.
- Regular Jazz Time: Just playing with the right hand.
The more you listen, the more you'll hear the subtle changes in individual approaches to playing the same thing and the same tune.
It's very much open to interpretation, and I hope you find it rewarding.
I look forward to seeing you in the next lesson!
About the instructor

Tras graduarse en batería por la Guildhall School of Music en 1999, Pat ha actuado y grabado con Liane Carroll, el James Taylor Quartet, Tim Minchin, los Ronnie Scott's All Stars, Zigaboo Modeliste (The Meters), Earl Thomas, Paddy Milner, el Phil Stevenson Trio, los Downtown Dukes, 24 Pesos, las Puppini Sisters, Sandi Thom y Bernard Purdie, entre otros. Ha girado ampliamente por América, Rusia, Asia y Europa, tocando en numerosas salas de prestigio, festivales y espacios de televisión y radio. Pat también toca la armónica cromática y es solista destacado en dos álbumes de Will Grove-White (Ukulele Orchestra of Great Britain). Entre sus propios proyectos figuran 'The Coalminers', dedicado a tocar funk y soul de Nueva Orleans, y 'June Afternoon', un trío de órgano con Ross Stanley y Nat Martin. En su curso New Orleans Style Drumming, Pat desgrana los grooves, el feel y el vocabulario del second line que definen el sonido de la ciudad, para que puedas encajar en un funk y un soul auténticos tras la batería. read more




