Música zydeco

Con
Pat LevettPat describe la batería del zydeco, dando una breve panorámica del género musical y sus raíces y demostrando algunos patrones de batería.
Qué incluye el curso
12 lecciones (0h 53m) · 2 gratis
01. El groove y el feel de New Orleans
Lección gratis3:38

02. Pat Levett demuestra algo de batería al estilo de Nueva Orleans
Lección gratis2:34

03. Añadir un patrón de bombo
2:34

04. Batería second line
4:37

05. Rock & roll de Nueva Orleans - Fats Domino
4:53

06. The Dirge - Marcha fúnebre
3:24

07. The Rebirth Groove
4:04

08. Los Mardi Gras Indians
5:54

09. New Orleans Funk
7:48

10. Música zydeco
Estás aquí3:55

11. Allen Toussaint
5:09

12. Fill-ins e ideas creativas
5:00
Transcripción de la lección
New Orleans Drumming: Exploring Zydeco Music
Hi and welcome to the next installment of New Orleans drumming!
As I was talking about earlier, there are different parts of the world that have settled within New Orleans. In fact, the name "New Orleans" comes directly from France.
As we can see, and when you actually experience the city (if you've ever been), it does have a very European flavor to it, especially in the French Quarter.
The French Influence on Zydeco Music
The French influence on New Orleans can be heard in zydeco music, which is a part of Louisiana where French is spoken.
Zydeco music features:
-
Accordion playing: A strong component of the genre.
-
Groove structure: The drum patterns are quite straightforward. It often goes something like this:
- Boom, bap, bat ba bap,
- Dump, bap, bat bap,
- Boom, bap, bap, bap.
So there you have those two different grooves within the zydeco band.
The Role of the Rub Board
In a zydeco band, there's typically someone playing a rub board. This unique instrument:
- Used to be a simple rub board but can also be utilized in traditional jazz.
- Played similarly to strumming a guitar.
There's some great clips of Herlin Riley, an amazing drummer from New Orleans, using the rub board in a traditional band setting.
The Modern Rub Board
Within zydeco, the rub boards have evolved to be worn over the chest. Key features include:
- Size: Quite wide and hangs off the shoulders.
- Material: Made of metal, corrugated down the front.
- Playing Technique: Musicians sometimes use beer openers, can openers, or metal thimbles on their fingers, playing it like a long guero on their chest.
The sound is not completely straight; it has a rhythmic quality that you need to listen for:
- It's characterized by a "doobie, doobie, doobie" feel.
- Despite its movement, it maintains a stricter pulse.
The accordion leads the rhythm, complemented by the drums.
Recommended Listening
Have a listen to zydeco music! Buckwheat Zydeco is probably the most well-known zydeco musician. There are also many "Cheniers" who play zydeco, so be sure to check them out too.
If you do a good search on zydeco, you'll find all sorts of exciting music.
I'll see you in the next lesson!
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Conoce a tu gurú

Conoce a tu gurú
Tras graduarse en batería por la Guildhall School of Music en 1999, Pat ha actuado y grabado con Liane Carroll, el James Taylor Quartet, Tim Minchin, los Ronnie Scott's All Stars, Zigaboo Modeliste (The Meters), Earl Thomas, Paddy Milner, el Phil Stevenson Trio, los Downtown Dukes, 24 Pesos, las Puppini Sisters, Sandi Thom y Bernard Purdie, entre otros.
Ha girado ampliamente por América, Rusia, Asia y Europa, tocando en numerosas salas de prestigio, festivales y espacios de televisión y radio. Pat también toca la armónica cromática y es solista destacado en dos álbumes de Will Grove-White (Ukulele Orchestra of Great Britain).
Entre sus propios proyectos figuran 'The Coalminers', dedicado a tocar funk y soul de Nueva Orleans, y 'June Afternoon', un trío de órgano con Ross Stanley y Nat Martin.
En su curso New Orleans Style Drumming, Pat desgrana los grooves, el feel y el vocabulario del second line que definen el sonido de la ciudad, para que puedas encajar en un funk y un soul auténticos tras la batería.












