Everywhere I Go - El puente
Lesson time: (3min 35sec)
Lissie repasa el puente de 'Everywhere I Go', los acordes que usa y dónde se sitúa esta sección dentro de la canción.
Course preview
This lesson is part of the course Aprende guitarra con Lissie
Watch a preview of the full course below.
Lesson transcript:
Music Lesson: Understanding the Bridge and Modulation
So, I showed you the verse, the chorus, and a little tag at the end of the chorus. We'll go over it again.
The Bridge (or Middle Eight)
When we get to the bridge, which is also called a middle eight, it can be a bit confusing.
- In the UK, a bridge is a pre-chorus.
- In the US, a bridge is a middle eight.
So, you know, not to blow your mind, but that's a little confusing if you ask me.
The Structure
When we get to that kind of middle section, you know, it usually happens between the second and last chorus. There's a little shift, and I call that a bridge. In the UK, they call that a middle eight.
Chords Needed
For this part, the chords we're going to need are:
- E minor
- D
- A
Now, we've already hopefully gotten confident with our E minor (great chord!) and feeling good about our D. We're gonna bring that A in there.
Modulation
Now, something interesting in this song, which can be a bit cheesy, is called a modulation.
- It's when, for the last triumphant moment of a pop song, you raise it up a key.
- Think about "I Will Always Love You" by Whitney Houston; you know, that money note.
Sometimes, it can be a little dramatic, but for me, in this song, it feels really sweet and special.
Preparing for the Last Chorus
I've told you about the different chords, and now I'm going to bring you to this modulation for our last chorus. Then, I'm going to walk you through it from the beginning to the end so you understand the song structure.
First, we need to line up all of our chords. We know we need:
- G
- B minor
- C
- D
- E minor
- A
So get your chords kind of ready so that you're familiar with them.
The Moment in the Song
After we go out of the middle eight (or bridge), we use E minor, D, and A.
"Hear me, this is the point in the song where I just hold out the note as long as I can."
It's usually a moment on stage where everyone starts cheering, and it's really sweet. I hold the note out as long as I can, and I'll fall on my knees. That's when we hit the modulation.
The Modulation Transition
For the modulation, we go to:
- D to E
Then, we have a bar chord. This is an F sharp minor.
"This is a little advanced because you're going to need to make a bar chord."
It's that bar chord on the second fret.
- It's similar to the E shape, except you would pick up your middle finger.
- You're only doing stuff on the second and fourth fret.
- If you were in an E, you're just picking up that middle finger.
I hope that's not too confusing! So, we're going to need this F sharp minor for the modulation chorus, and then we go back to the D.
Summary of the Chords
Those are all the chords needed for the lesson.
About the instructor

Lissie es una cantante de folk-rock que creció en Rock Island, Illinois, cerca del río Misisipi, diciendo lo que pensaba y componiendo canciones desde muy joven. El público se enamoró por primera vez de su voz con el EP de cinco canciones 'Why You Runnin'', producido por Bill Reynolds de Band of Horses, que Paste Magazine incluyó entre sus Ocho debuts musicales más prometedores. En 2010, su primer álbum de larga duración 'Catching A Tiger' consolidó sin pretensiones a Lissie como una voz global. Los elogios en Estados Unidos se vieron igualados en el Reino Unido con el reconocimiento de la BBC, el Evening Standard, Uncut y The Independent, que lo describió como "una rebanada de pop tan refrescante como estos oídos hastiados no habían escuchado en años". El álbum llegó a vender 300.000 copias en todo el mundo, 100.000 de ellas en el Reino Unido, donde fue certificado Oro. Momentos destacados a lo largo del camino: Nominada a Mejor artista revelación en los Q Awards, y elegida por VH1 como artista "You Oughta Know" Actuaciones en festivales como Glastonbury, Hard Rock Calling, Latitude, Secret Garden Party y Bestival Apariciones en televisión, entre ellas Later with Jools Holland y Sunday Brunch Papeles en pantalla en Loudermilk y en Twin Peaks de David Lynch, donde NME elogió su "intensa" interpretación al cerrar el episodio con la canción de aire Stevie Nicks 'Wild West': "la trovadora más apasionante de Rock Island se ganó con creces el tiempo en pantalla que le encargó Lynch". 'Carving Canyons' (a la venta el 16 de septiembre), su primer álbum de larga duración desde 'Castles', que llegó al Top 10 británico en 2018 En su curso de guitarra, Lissie comparte los acordes, el rasgueo y el instinto compositivo que hay detrás de sus canciones: todo lo que necesitas para empezar a tocar como la mejor trovadora de Rock Island. read more




